It’s impressive how some filmmakers can take a one setting short and turn it in to an event filled picture filled with sharp writing and rich characterization. “Time to Kill” is based on one character and one setting and still feels more complete than most films I’ve come across. Christopher T. Wood who penned the film, also gives a top notch performance as a hit man waiting for his target, and might be waiting for his target for as long as his patience and endurance can hold out.
21 Jump Street was a film that I thought was funny on its original viewing, but I didn’t find it as hilarious or over the top hysterical as many others did. Recently, however, after two current viewings, two years later, I’ve come to discover that it is a very funny movie and it holds up incredibly well. Needless to say, I was excited to see what they were going to do with 22 Jump Street and I was excited to be spending more time with these characters. It’s hard to deny their chemistry and it is back and in full force with 22 Jump Street.
After the very entertaining “Power Rangers” tribute “Super Task Force One,” I like where director Steve Rudzinski’s head is. He seems interested in delivering audiences good old fashioned genre entertainment, and he has the talent to back up the ambition. Even with the obvious rock bottom budgets, he can churn out some amusing and charming indie films. If he’s ever given a huge budget, I think he could blow audiences out of the water.
One of the hallmarks of my youth in the nineties, “How I Spent My Vacation” was the credit Tiny Toons finally got, even if it was just on home video. That was okay, since the real fans of the series could take home their favorite Tiny Toon pals and re-visit their wacky summer time and time again. I must have seen “How I Spent My Vacation” a hundred times on VHS, and thankfully (much like the series) the movie holds up surprisingly well, and is still very funny. “How I Spent My Vacation” follows the group from “Tiny Toon Adventures” as they all are pulled in various directions for their summer vacations.
Goofy, albeit erotic, “Same Time Every Year” is one of the more tightly directed and entertaining smut films from the late seventies, that would help usher in the eighties porn wave. It’s not really a movie so much as it is hardcore porn, but it definitely has its charms. Besides the gorgeous women and well edited sex scenes, “Same Time Every Year” is delightfully funny at times. Whether it’s intentional or not, I’m not sure, but some scenes were just too unusual to take as erotic.
Impulse Pictures apparently restored “The Chambermaids” from a nearly destroyed theatrical print, and boy does it show. Despite the attempts to keep it pristine, “The Chambermaids” still looks like it was carried over from a projector. But for folks that appreciate the faux grindhouse aesthetic, it might add to the experience. What’s more entertaining is the inadvertent comedy, bad acting, really bad sound looping, and shadows of crew members during certain scenes. “The Chambermaids” is only seventy minutes long and wastes absolutely no time establishing its plot. Or what little there is.
One of the most disappointing aspects of “Honey Buns” is that is boasts the incredible Uschi Digard, who plays a key role in this goofy porn film, but she never really does much the entire time she’s on-screen. Granted, she appears in a skimpy purple dress, and doesn’t mind showing off her gorgeous body, but she disappears for the remainder of the movie, entirely. Not that Ms. Digard’s fleeting albeit stunning presence ruins the experience of “Honey Buns.” But it’s the principle, damn it.