It’s no easy feat to create a new dedication to “Night of the Living Dead” that doesn’t feel rehashed or regurgitated from other documentaries. Rob Kuhn’s documentary had every chance to be just a summary of “Document of the Dead,” but thankfully is a fresh and very entertaining look at the horror film that changed the world. Director Kuhns doesn’t just explore how “Night of the Living Dead” changed horror films, but how it changed the pop culture and American landscape for fifty years after its release.
Tag Archives: Comedy
Howling III – The Marsupials (1987)
It’s really tough to make sense of “The Marsupials,” but much like the second film, it has a good idea but a terrible execution. It wants to be a psychological thriller, a horror romance, a satire of horror movies, and a werewolf picture all in one and fails to deliver on these aspects two fold. “The Marsupials” garners too much of a narrative for one picture, and should have been spread out in to another film, altogether. One thing is for certain: The connection to the Joe Dante film stops at the fact that it has werewolves in it.
Fright Night (1985)
If you’re going to be a derivative movie, don’t hide it. Flaunt it, own it, and be able to take the premise you’re deriving from and twist in to something excellent. “Fright Night” does the very thing. What if, instead of a murderer, the next door neighbor was a vampire? And what if, instead of a disabled man, we featured a young high school boy with a bad habit for snooping? And what if, instead of a photographer, this character was a horror fan whose imagination may or may not be playing tricks on him?
Chastity Bites (2013)
Surely, “Chastity Bites” is a horror comedy you’ll either really enjoy, or very much loathe. And for the same reasons. It’s incredibly niche, and overbearing in its commentary about women, consumerism, and materialism in our society. How far are women willing to go to stay young? Would they even make a pact with the devil and murder those around them? “Chastity Bites” is a combination of “Stepford Wives,” “Dracula,” and bit of “Mean Girls” without any of the inherent genius behind the aforementioned tales.
Monochromia (2013)
Director Michael Legge’s “Monochromia” is proof positive that sometimes a small budget doesn’t automatically have to hinder a production. Sometimes, it can add to the charm. While “Monochromia” is considerably low budget, it embraces its limited scenery and special effects in favor of a stripped down and very entertaining science fiction comedy about a world gone mad thanks to the inability to see in color.
A Monsterous Holiday (2013)
I don’t want to say “A Monsterous Holiday” feels like a throwaway episode of “Jimmy Neutron,” but our main character is a scientist wunderkind with goofy brown hair and a robot dog. You do the math. “A Monsterous Holiday” is less a monster comedy and more a friendship tale about a scientist who wants to create life, and a monster that learns how to live.
Shocker (1989)
Wes Craven creates Freddy Krueger. Again. This time rather than invading the meta-reality of dreams, maniac Horace Pinker can travel through televisions. That said, “Shocker” is basically like “Nightmare.” There’s a maniac, a main character linked to him through dreams, a secret that the main character’s neglectful parent is hiding, a major supporting character that dies thanks to the maniac that allows the main character to face off against the maniac, and a final showdown where the main character turns the tables on the maniac.