Normally I love Aardman’s output. I think Wallace and Gromit are fantastic and I even enjoyed “Flushed Away” on some levels. “The Pirates!” is a kids film that doesn’t entirely play the film to their standards. Aardman has a talent for appealing to children without talking down to them, offering them the likes of Wallace and his put upon sidekick dog, but “The Pirates!” is so incredibly convoluted that it fails to deliver any essence of entertainment. The animation from Aardman is up to their usual quality with some wonderful stop motion scapes and hilarious characters, it just falls flat in terms of story.
Tag Archives: Comedy
Silver Linings Playbook (2012)
I don’t subscribe to the Hollywood notion that all you need to cure a crippling illness that affects the lives of your loved ones is a good girlfriend or boyfriend. In actuality, it takes almost a decade or two to cure a crippling mental illness. In that regard, “Silver Linings Playbook” fails. But as a film that seeks to be a unique and unusual romance comedy about two people that are anything but normal, director David O. Russell’s dramedy is pure excellence, and one that’s teeming with talent from minute one. “Silver Linings Playbook” doesn’t seem to rely on a strict formula per se, and that’s why it’s such an oddity in the realm of romance dramedies. Sure, in the end it’s about two people falling in love, but O. Russell spends time on focusing on their inadequacies and their malfunctions that make it impossible for the pair to function in reality, and then draw them closer and closer as the narrative unfolds.
Let's Make a Movie (2012)
In order for “Let’s Make a Movie” to be half as good as it is, it really had to cast the right performer for the character of Cassie Thompson, and director Elana A. Mudgan accomplishes that task with Hallie York. Granted, “Let’s Make a Movie” is a really good and entertaining dramedy about the obstacles of filmmaking, but Hallie York really is the heart and soul of the film. On surface level, York doesn’t seem like a polished actress, but York really manages to carry the film with her portrayal of the troubled and conflicted young Cassie, who is struggling to find a direction in her life. Badgered by her parents to find something useful to do with her life, Cassie quits her job to work on an indie film that she is convinced will grant her success as a film director.
Cemetery High (1989)
Basically, Gorman Bechard’s “Cemetery High” is a comedy spoof of every rape revenge movie you’ve ever seen. Except when it tries to be funny, it fails painfully. When it tries for exploitation revenge, it manages to be a pretty absurd and interesting bit of revenge horror. I wonder why someone thought mocking this material would make for an entertaining movie. Granted, the tale of women striking down rapists isn’t exactly a dramatic bit of cinematic fare, especially in the late eighties, but mocking the material so incessantly feels so shoe horned, the comedy is awkward rather than unfunny.
Love Stinks: Eight Demented Movie Romances
I can’t stomach too many romance movies these days, and I’ve always hated how romance is slipped into almost anything to garner some form of padding for the plot. Sometimes the love between two people is sweet, and many times it’s worthy of a groan and an eye roll. So, I thought of my favorite romances, and as expected, the list is slim, but hot damn, these movies are still great.
You Have to See This! Sorority Babes in the Slimeball Bowl-O-Rama (1988)
This is one of the many horror films from the eighties that features the trio of Scream Queen goddesses. Yes, Linnea Quigley, Brinke Stevens, and Michelle Bauer all star in one of the funniest and best horror comedies of the late eighties. Directed on a very low budget and on very limited scenery, “Sorority Babes” works as a low budget trash fest, and a goofy little time waster you can chuckle to. Tri Delta is looking to initiate their two newest recruits! After catching three nerds from the local fraternity watching the initiation, the trio, along with a few sorority sisters are forced to break in to the local Bowl-O-Rama at night and steal a prized trophy as a prank.
Accidentally unleashing a magical imp within the sacred trophy after knocking it over, they unleash Ol’ Uncle Impy, a magical imp who offers to grant their wildest dreams. After they all take advantage and are granted their own wishes, they find that often times, if something seems too good to be true, it probably is. Also known as “The Imp,” seasoned director David DeCouteau directs this goofy horror comedy that I was first introduced to back in the nineties. I fondly remember watching the edited version for “Sorority Babes” on USA’s Up All Night on cable television and always wanted to re-watch it.
Years later, I bought the DVD and had a blast. Along with “The Gonk,” and “It’s Party Time” Bob Parr’s “Here In The Darkness,” the theme song to “Sorority Babes” has permanently burned itself in to my brain, and it’s fun to see such an eerie theme song for such a goofy horror comedy. Brinke Stevens and Michelle Bauer are on the receiving of a lot of gratuitous nudity as they’re spanked in the opening shots of the film for a sorority initiation for Tri Delta. While there, three geeks are caught and are forced in to the final act of being admitted in to Tri Delta. Ol’ Uncle Impy is one of the most unusual horror villains ever created. A combination of low budget puppetry and tricky lighting, he’s a trophy imp that grants wishes, and surely enough he can’t be trusted.
Linnea Quigley co-stars in one of the rare roles where she keeps all of her clothes on as juvenile delinquent Spider. She’s caught breaking in to arcades for petty change, and ends up having to fight for her life and live through the night. Impy can be tricked, but how? Most of the movie spends its time on the wishes granted and the painful fall out that comes from the wishes that begin to turn sour in a matter of hours. One sorority girl wishes to be a queen with her clothes rotting, one character wishes to be rich only for the treasure to be meaningless, and another character wishes for a girlfriend only for this girl to be incredibly aroused and aggressive when it comes to getting laid.
Meanwhile, the janitor of the Bowl-O-Rama is unfortunately stuck in his bathroom and oblivious to the horror happening all around him. Quigley decided she wanted a role as a punk this time around, and dons the punk attire as heroine Spider, who fends off the monsters machinations through this bowl o rama. Keeping money tight, the movie is set in the bowl o rama over night where no one is around, giving DeCouteau a real advantage in giving the setting mood and atmosphere without trying too hard to light the sets. Of course, all of the horror and turmoil dies out before opening time at the bowl o rama. This allows the characters to roam around chasing each other, and learning about the convoluted origin of Ol’ Uncle Impy and how he can turn a good wish in to a bad situation.
I, for one, love Uncle Impy. He’s a bargain basement villain who could have worked in a sequel if they ever had the budget for one. I could see the allure of asking for a wish from the Djinn in “Wishmaster,” but from a little demon in a bowling trophy? Come on, kids. Just say no. “Sorority Babes” is one of the last gasps of eighties horror, and it’s a delightfully goofy delicacy you can kick back to. If only to see Quigley reprise her punk attire yet again. Whether you know it as “The Imp,” or “Sorority Babes in the Slimeball Bowl-O-Rama,” this is a heck of a good horror comedy with the trifecta of scream queens doing battle with a horrific imp. They just don’t make movies like this anymore.
The Theme Song to “Sorority Babes”:
Astron-6 (DVD)
So Astron-6 is the indie film group who directed one of the worst movies I saw in 2012, “Father’s Day.” My feelings for that film in particular have been made, so in the interest of being more constructive than mean spirited, I’ll simply judge “Astron-6” on their own merits. Drawing interest from Lloyd Kaufman and Troma Entertainment, Astron-6 were able to release a compilation of their short films on DVD in obvious celebration of their highly touted limited theatrical film “Father’s Day.” As a compilation it’s a mixed bag, and one from an obvious group of guys that want to entertain. They love the eighties so much that every single short in the film is either a grindhouse throwback or an eighties throwback. There’s not a lot of variety to their short comedy films, except for their willingness to show themselves bare chested most of the time, and their inability to deliver simple one liners most times.