Justin Johnson, Aaron Marshall, and Erik Mauck’s 2009 documentary from R Squared is probably one of the most simplistic stories ever told but also proves to be fodder for one of the best independent documentaries I’ve ever seen, a film about an enthusiastic little girl who loves movies and is doing everything in her power to make a zombie film, the film community of critics and movie buffs that embrace her for her enthusiasm, her mom willing to do whatever it takes to feed her daughter’s ambition–as long as she goes to school, and the movie that became a cult classic in its own right because of its charming production qualities and overall creativity.
Tag Archives: Comedy
Halloweentown High (2004)
While “Halloweentown High” really isn’t the most subtle of films with monsters and knights acting as symbolism for civil rights, it does excel in fully realizing the character of Marnie who is no longer a student and now just a matriarch of other students looking to make their way in to the human world. Kimberly J. Brown is as good and charming as ever in the role of heroine Marnie who takes it upon herself to play civil rights leader by insisting some of the monsters from Halloweentown should be allowed to go to human school for the sake of diversity and equality. The catch is by Halloween if she hasn’t made progress, her powers will be stripped away. This allows for a more open forum for new characters, all of whom have their own likable traits and quirks. One if a goblin, another is a werewolf, another a wood nymph, and so on. Marnie plays more of a protector this time watching over the new exchange students, and falling for a new guy named Cody.
Halloweentown II: Kalabar's Revenge (2001)
While 1998’s “Halloweentown” was a very cute and entertaining little Halloween movie, the sequel “Kalabar’s Revenge” is much darker and slightly more adult in tone and atmosphere this time around. What’s interesting is you can sense the seeds for “The Witches of Waverly Place” within this sequel, and it’s not a far off prospect that what with Kimberly J. Brown getting older with each movie, Disney wanted to pass the wand over with a new franchise about magic and wizards.
Killer Cup 2: The Killer Cups Strike Back! (2004)
Oh god! They made a sequel! And it’s longer this time! A group of young people are going on a camping trip and have taken along the bare essentials like food, water, and styrofoam cups! The foreshadowing here is about as clunky as you’d expect with one of the characters making a point of declaring how big one of the cups are. Apparently it’s the master cup or chief general cup. In either case, what begins as a night of drinking and joking around (one of the campers even pretends to be bitten by the cup in a high-larious “gotcha” moment), soon all of the cups band together to strike back at the partiers and inflict carnage upon them.
Killer Cup (2002)
“Killer Cup” is about killer cups! What? You were expecting more? Alright fine! A.Normale’s short horror film entitled “Killer Cup” is pretty much a situation about what you see being what you get. Set to an obviously not copyrighted score by Rob Zombie, “Killer Cup” sets down at any school in the world where we view the plight of the Styrofoam cups used for tearing, smoker’s ashes, sunflower seeds and the like. Clearly, this is Michael Moore’s prologue to an upcoming environmental documentary right?
Halloweentown (1998)
Sure, this is a Halloween oriented film that isn’t scary, or creepy, or violent, or even remotely menacing and sure it’s a premise we’ve seen trotted out in “Sabrina The Teenage Witch,” “Twitches,” and “Buffy,” but deep down it’s a true Halloween movie and one you can watch be you a child or an adult looking for a good time, and I manage to come back to it every year because it’s such a fun time to be had for all.
Candy. (2010)
If you’re willing to buy that the beautiful Sage Hall somewhere likely in her early thirties is the mother of a man also in his early thirties, then “Candy” might just tickle your funny bone as something of a creepy and unusual horror short film. The appeal of “Candy” is Hall’s directorial style in which she enlists her experience as a video artist to paint a vivid and often uneasy little portrait of a family celebrating Halloween. Hall plays Candy, the curvaceous but coddling mother to her son who experiences jealousy and resentment when he brings home his girlfriend to get in on the festivities.