The Good Dinosaur (2015) [Blu-ray/DVD/Digital]

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It’s a shame that “The Good Dinosaur” will forever be regarded as one of Pixar’s black sheep titles. Because as a whole it’s one of their most original and unique tales that channels the modern Western to invoke a tale about family, getting over one’s own shortcomings, and learning that life is often senseless and unfair. Pixar uses the aesthetic of the dinosaur to help induce the idea of nature and how the environment around us is both an element we must fear and respect in the long run. As with most Pixar films, “The Good Dinosaur” doesn’t justify the idea of death with simplicity, nor does it coddle the intended target audience. It instead takes us through a large journey and tells us that yes, life is hard, yes life is very unfair, but that doesn’t mean we have to stop living.

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Beat Street (1984)

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I liken “Beat Street” to “Saturday Night Fever” in where both films, set in the Bronx, feature very talented youths with troubled home lives trying to fulfill their promise and chase the American dream. While “Beat Street” is nowhere near as timeless as the former film, director Stan Lathan’s drama is an entertaining, if exaggerated look at life in the Bronx, and the culture that would eventually die with the decade. The film produced by Harry Belafonte doesn’t have the same committee constructed, consumer pandering aesthetic that the “Step Up” movies do. But for all intents and purposes it tend to shine the light on actual minorities living in the Bronx, some of whom can barely make rent, but still drive themselves on their love for their work.

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Teen Witch (1989)

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“Teen Witch” is one of the last relics of the eighties that isn’t just a fantasy for teen girls based around the joy of superficiality and empty popularity, but something of a cheesy comedy that absolutely embraces its idiocy time and time again. The unapologetic cheesiness and truly awful values of “Teen Witch” is often so bad, and yet so damn charming to endure. You almost have to admire it for building up to an anti-climax that boasts about how great it is to have the guy of your dreams, even if he’s as deep as a Koi pond. Dorian Walker’s film also dares to embrace the hip hop genre with a trio of young white men from the suburbs. Thank goodness for Larry Weir.

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Creed (2015)

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Sylvester Stallone paid proper tribute and respect to his character Rocky Balboa with the final chapter in his saga “Rocky Balboa.” The character deserved the poetic finale after the clunker that was “Rocky V.” Ryan Coogler’s “Creed” is an utter accomplishment that works as a part of Rocky Balboa’s tale, and as the beginning of a new underdog saga. What initially seemed like a lame cash in, is a brilliant twist on the underdog tale with Stallone turning his sights Balboa’s rival and friend Apollo Creed. What was viewed as a sad death in a camp classic in “Rocky IV” carries over in to “Creed,” where Apollo’s death has had a serious significant effect.

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Sanjay’s Super Team (2015)

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Director Sanjay Patel’s short film can pretty much apply to anyone who is either an immigrant or a minority growing up in America. Too often when you come from an ethnic background, living in the country can help you lose sight of your heritage very easily, and you almost find stuff like family and heritage almost unimportant. For young Sanjay, it’s a matter of perspective that gets him to realize that his heritage is rich, interesting and quite magical.

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Task Force 2001 (2000)

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It’s not many movies with the alternate title of “Spy High” that doesn’t feature much spying. Of course, if you’re interested in a spy movie where the trio of heroes do nothing but sit at a computer typing over and over, then you’re going to love what “Task Force 2001” has in store for you. And just for your information, the trio of aspiring spies has a sidekick dog named Rocky that does most of the work. Because of Ethan Hunt really lacked a sidekick with fur and a tail. Of course! “Task Force 2001” has a great concept and some interesting ideas, but really none of the budget to commit to unfolding the intended action scenes.

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The Diary of a Teenage Girl (2015) [Blu-Ray/Digital]

diaryteenYou have to appreciate the gutsy turn “The Diary of a Teenage Girl” takes when it dares to enter in to a coming of age tale that is about as realistic as it can get. When our character Minnie begins realizing her own sexual attraction to her mother’s boyfriend, it comes off more as creepy and awkward, no matter how much dreamer Minnie tries to romanticize it. She paints the dynamic between her and her mom’s boyfriend Monroe as something of a realization of her adulthood, when really it’s downright hedonistic self satisfaction with absolutely no thought toward the consequences she and her would be lover may face.

Though Minnie finds it fun to tempt Monroe by sucking his finger during a play fight, it’s about as gross as you’d expect with a thirty year old man hitting on a fifteen year old girl.  When they finally do sleep together, director Marielle Heller drives the point of Minnie’s coming of age, when post-coitus, Monroe proudly smears Minnie’s blood along his thigh. A lot of Minnie’s own affair with Monroe is pure pleasure, and its eventual fall out is very real, causing her to sink somewhat in to a darker world of drugs and drinking. It becomes especially harrowing when she begins to dabble in darker corners of her city as a means of coping with her pseudo-affections for Monroe.

Alexander Skarsgård is very good as the slimy Monroe who presents opportunities for Minnie to dabble in to areas of her life she’s always been afraid to visit. All the while star Bel Powley handles the material like a champ, providing a very unique turn as main character Minnie whose actions eventually transform in to self destruction and self inflicted punishment. Her own moral code and decisions will cause the viewer to consider time and time again whether they really like Minnie or not, and even when we close the film, it’s never a surefire bet that she’s a good person that will redeem herself in the future. For her it’s something of a dreamy fantasy she’s fulfilling, while it looks to the objective viewer, like an older man preying on something of an idyllic young girl.

If I have any complaints it’s that Christopher Meloni and Kristen Wiig are wasted and never given a chance to really shine; especially Wiig who is given a smaller role that doesn’t compliment her ability to be funny or complex. “The Diary of a Teenage Girl” is nonetheless an entertaining and often compelling drama comedy that dives head first in to the coming of age of a young woman, warts and all.

Featured in the stuffed blu-ray is an audio commentary with director Marielle Heller and Actors Bel Powley and Alexander Skarsgård. The commentary is fine enough with some fun anecdotes, and information about the filmmaking process. There is a trio of deleted scenes all of which clock in at an average of two and half minutes.

“Marielle’s Journey: Bringing the Diary to Life” is a twenty three minute look at director Marielle Heller’s history with the source material, the look at the stage adaptation and the transition to feature film. There are interviews with the cast and crew, a look at the themes and details of the narrative, including characters, the process of casting, the process of including the sex as a plot element, the film’s tone and so much more. There’s a twenty five minute Q&A with Marielle Heller, Alexander Skarsgård and Bel Powley with moderator Jenelle Riley who engages in a very informative Q&A. Finally there’s the original theatrical trailer.