After “Fast Times at Ridgemont High,” actor Sean Penn barely skidded the realm of being typecast and completely destroyed his break out role by taking on a new form as a dramatic actor. One of his more intense efforts is the 1983 “Bad Boys,” an underrated but excellent near masterpiece about boys on the verge of being men who don’t realize they’re about to become hardened criminals if they don’t break out of their cycles of violence soon. “Bad Boys” is a message at the core about when these young men will transform in to individuals capable of being tried as adults and when they will eventually make it in to an actual penitentiary. In the realm of “Bad Boys,” the penitentiary is the final stop for these young men, and counselor Ramon Herrerra makes a point of showing main character Mick O’Brien his environment, if he doesn’t find a way to change his fate soon.
Tag Archives: Crime
Red Cloud: Deliverance (2012)
Sioux Cloud and Hezues R’s short “Red Cloud” is a film very much in the vein of “The Professional” and “Gone Baby Gone,” a short dramatic thriller that has potential to be a wider more full length story, in the end. “Red Cloud: Deliverance” is a very powerful and engrossing exploration of a man escaping his past and his demons, and in the process is confronted by a young girl facing her own demons on a daily basis.
Fireball (2009)
When I read the premise for this and discovered Ian Somerhalder was starring I was a little excited. I mean Ian Somerhalder as a bad ass fire throwing villain could be excellent, especially considering he has a knack for playing sharp villains. But then I learned that he’s merely the protagonist and we’re instead given a bulky bald muscle bound man who can throw fire, and I just settled on Somerhalder playing the hero. Fair enough. In spite of being derivative and feeling like a glorified television pilot, “Fireball” is a pretty solid action thriller that teams up genre actress Lexa Doig and television mainstay Ian Somerhalder as law officials who have to chase around a fire controlling maniac through the country and find a way to stop his madness.
Truth or Die (2012) (DVD)
Director Robert Heath creates a horror film that starts out like “Slaughter High” and ends like “Saw.” Basically, “Truth or Die” is a revenge film of the twisted kind where no one is truly just. In the end, it’s about despicable people hurting despicable people. As is the trend with most modern revenge tales, “Truth or Die” is about the destruction of revenge and how nothing is ever as it seems.
Justice Woman
The new superhero web series entitled “Justice Woman” is an episodic adventure that’s less “Elektra” meets Lois Lane, and more Carrie Bradshaw if she decided to don a costume and investigate crimes in her city. “Justice Woman” is definitely a web series for the martini drinking, “The View” watching audience. That’s by no means meant to be a disparaging commentary on the series, but “Justice Woman” is definitely aiming for a niche audience, and I’m sadly not it.
Forensic Speak: How to Write Realistic Crime Dramas [Paperback]
The lovely Jennifer Dornbush has written one of the few manuals for writing that I tore through in a matter of hours. “Forensic Speak” is a painstaking guide for screenwriters, and authors of all kinds who want to write a crime or detective novel, but don’t know all of the terminology that comes with the profession. Writing a novel or screenplay without knowing the terminology not only immediately removes all believability from your story, but is distracting to the viewer or reader who may know more than you do, in the end. I assumed “Forensic Speak” would be three hundred pages of endless terms and definitions, but Ms. Dornbush structures the book to where anyone seeking a reference for a particular terminology can find what they’re looking for.
Judge Dredd (1995)
Before the comic book movie revival of the twenty first century, the nineties didn’t have that many notable comic book movies to brag about. There was the awful “Tank Girl,” and the even worse “Barb Wire.” There was “Spawn,” and “Generation X,” and “Nick Fury: Agent of SHIELD,” “STEEL,” and “Batman and Robin.” And like those aforementioned titles, Hollywood adapted these titles completely missing why readers actually flocked to them in the first place. Never content with laying waste to more underground comic books, Hollywood eventually got its hands on Judge Dredd and turned it in to a Hollywood schlock fest that was so desperate for an audience it cast Rob Schneider in a major role.