A man sits on a bench drinking coffee and eating a carrot, a pregnant screaming woman runs by. As does a man wielding a gun prepared to shoot her. Mr. Smith is now involved. Thus begins a sudden mission to protect a newly born child from a massive conglomerate and a surprisingly interesting reason why this child is wanted. I theorized all throughout Davis’s raucous action comedy and really wasn’t prepared to find a devious plot as complicated and absurd as the one explored here. “Shoot ‘Em Up is yet another variation on “Lone Wolf and Cub” with a mysterious warrior leaving a body count in the triple digits to protect a child, and though Davis derives from the concept, “Shoot ‘Em Up” is its own twisted animal. There’s really no point in hating “Shoot ‘Em Up”; it’s a ridiculous, idiotic and fantastical cartoon mixed with a formula video game, and it makes no presumption to pretend otherwise.
Tag Archives: Crime
No Country for Old Men (2007)
I won’t lie when I tell you that it was a shame to see the Coen Brothers in such a slump. They gave us in no specific order “The Ladykillers,” a now infamous remake of a much better film, and then “Intolerable Cruelty” a week and dull dark comedy that was too glam for the duo. I’m glad to report that “No Country for Old Men” is just where they belong. It’s grit, edge, dark humor, and sheer menace in one package of incredible performances and results in a hybrid that’s basically my favorite film of 2007 and soon may just become one of my favorites of all time. Of course, this is not new for the Coens as “The Big Lebowski,” and “Fargo” currently rank in my top list.
3:10 to Yuma (2007)
You take two of the greatest actors of modern American cinema, grab a slew of all-star performers all providing excellent performances, match it with the stylish and epic direction of James Mangold, and you have yourself “3:10 to Yuma” a remake of the great western film that’s a contender for one of my favorites of 2007, and damn near superior to its predecessor. Mangold’s film packs an abundance of quality and power with it and that’s due to the fantastic writing by the adapting screenwriters, who takes the simplistic yet original story and turns it something much more unique. It’s the story of a man trying to reclaim his dignity, a story about a man who is very well the devil reincarnated learning about respect, and the story of a young boy discovering that everything he thought he once knew now suddenly was all just a fraud. “3:10 to Yuma” brought with it the stylish marketing and appeal to the modern audiences, but don’t sell it short.
The Batman: The Complete Fourth Season (DVD)
It was pretty obvious around the time the fourth season of the dubious success of “The Batman” had all but been questioned, and the writers had run out of ideas. This is when Batman finally took a back seat and a range of characters were introduced which would set the stages for the fifth season which became mainly a jumping point for potential spin-offs of better superheroes in the DC Universe. “The Batman” had run out of ideas by this time, and a slew of new characters were introduced, further bringing the watered down concoction to a level of a chaotic ensemble piece.
Here we saw the likes of Robin and Batgirl, both of whom became Batman’s smart mouthed sidekicks Batman interacted with while on the battlefield. Suffice it to say, they’re the most irritating parts of this new season.
American Gangster (2007)
I wonder why it hasn’t been further emphasized that Ridley Scott’s “American Gangster” marks the second meeting between Denzel Washington and Russell Crowe. Perhaps it’s because during “Virtuosity” Crowe was barely a star, or perhaps it’s because “Virtuosity” just wasn’t that good. True, this second meeting is not as notable as Paul Newman and Robert Redford’s, but I wish it were. We have a slew of incredible actors, some favorites, some up and comers, and two of the current best actors in Hollywood meeting. Yet again. The hook for this crime thriller is capitalism. Capitalism, Zaillian insists, however criminal or legal, is still nothing but deception and appealing to consumers in spite of the sleazy methods in which we act out the primary principle of business in America.
Hollywoodland (2006)
On June 16, 1959, George Reeves committed suicide; which was then later thought to be and is still heavily debated as a murder. This death was important to many people for the simple fact that it was the end of a beloved icon, and one of the earliest people to bring Superman to life. Reeves is also one of the earliest to help fuel the alleged Superman Curse, a series of coincidences later touted and tagged as a black mark on the folks who played Superman, for the sake of selling books. Is it a curse that brought about such bad ends to these men who played Superman? I say no. It was merely a bunch of coincidences that lent credence to the term “Shit happens.”
Twelve and Holding (2005)
This, ladies and gentlemen, are children. Or preteens. They’re nasty, violent, swear like truckers, and make horrible mistakes. Cuesta creates possibly one of the most exceptional, down to Earth portrayals of childhood and adolescence in the face of tragedy I’ve ever seen, next to “Mean Creek” and “Stand by Me.” Void of clichés, void of any false pretensions and completely void of any fictional happy endings, “Twelve and Holding” is a wonderful depiction of actual children, and that’s a rarity in modern cinema.