So it’s come to this. After all these years following Bourne, after “The Bourne Identity” becoming one of my favorite action films of all time, we’re here at the tail end, and hopefully the last film of the franchise. And with it comes Joan Allen, David Strathairn and Paddy Considine; how can you beat a cast like this? You can’t. “The Bourne Ultimatum” is yet another fantastic entry into the series, and shocking enough: It breaks the rule that the third parts in franchises are terrible. “The Bourne Ultimatum” brings what the former films did.
Tag Archives: Crime
The Insane (2006)
There’s nothing more exciting for a horror fanatic to watch a film from an undiscovered talent who has a new and original vision for the horror genre. What Ellison and Cripps do is prefer to explore the recesses of the mind and how violence can psychologically alter what we view in our world, and how we view it. Thus, “The Insane” covers some interesting ground in only twelve minutes, and presents a gruesome view of the underworld of crime, while John Vincent goes on the hunt for the maniacs who took his life away.
Alpha Dog (2006)
Much like films such as “Havoc,” and “Dreamland,” the teen thriller “Alpha Dog” is about as realistic a representation of the modern teen as Hollywood would like you to believe. The only saving grace is the fact that it’s based on a true story, which helped fuel my strong interest, along with the lovely Amanda Seyfried starring. “Alpha Dog” is a display of the best of the best young talents that Hollywood has to offer with an ensemble hearkening back to the likes of “The Outsiders” on many occasions. People like Ben Foster to Emile Hirsch pull in very good performances, with even Justin Timberlake pulling in a stand out as Frankie, a friend of Johnny Truelove’s who is given the duty of watching young Zack, and inevitably gains a sense of fondness for him. Timberlake is unlike anything I’ve ever seen here, and he’s both sympathetic and utterly memorable as a character that begins as a mere supporting player and ends up a key figure in the progression of crime drama.
Renaissance (2006) (DVD)
Almost simultaneously released alongside Richard Linklater’s equally high concept animated film “A Scanner Darkly,” Volckman’s “Renaissance” is a little bit of George Orwell and Phillip K. Dick with the same neo-noir atmosphere of Frank Miller with a Dystopian twist, and it composes itself as an equally high concept animated science fiction installment that focuses on a society that’s not too much in the distant future from ours. The world is ruled by vanity and the search for eternal youth, and this is all spearheaded by an ominous corporation called Avalon that markets on society’s youth obsession and rules over all of society. Ads pop up from thin air, follow pedestrians, and always seem much more omnipresent than they should.
Yo-Yo Girl Cop (Sukeban Deka: Kôdo nêmu = Asamiya Saki) (2006)
I’ll plead ignorance in claiming that I don’t know if “Yo Yo Girl Cop” was either an anime or manga (the latter, actually), because after reading the description of the back of the movie case, this apparently is a revamping of a prior mythos where the former Yo Yo Girl Cop’s daughter is now taking the role of crime fighter. It’s a movie filled with girl cops who fight crime not with guns, clubs, or sticks, but with metal yo yo’s that smack the crap out of assailants; I mean how could I not have risked buying it without viewing it?
Gone in 60 Seconds (1974)
Many people I’ve ever talked to have never seen the actual film of “Gone in 60 Seconds,” and really have their knowledge of that title extended to the miserable and horrid remake starring great actors being completely misused in what I can describe as a ninety minute eye sore. “Gone in 60 Seconds,” from 1974, is a film I actively sought out for the mere excuse of comparing a terrible movie to what I initially hoped was a great film as previous car films like “Vanishing Point,” and “Dirty Mary, Crazy Larry” have been.
Bad Reputation (2005)
Jim Hemphill’s immaculately directed “Bad Reputation” is half “Carrie” and half “I Spit on Your Grave,” it’s a teen thriller that I can finally get behind, and one that never swims in the kiddy pool. This is a hardcore revenge film, and I enjoyed it from the very beginning. It’s also one of the few rape revenge flicks that have come around in years, with an utterly compelling series of events that leads to unthinkable carnage, after an utterly disturbing rape sequence renders a young insecure girl a merciless monster. Hemphill definitely has his ducks in a row with a film that really brings the best of the revenge genre to the screen, without ever watering the atmosphere down to appeal to a younger audience.