I liked “Legally Blonde”. I thought it was a very cute, very fluffy piece of comedy, I thought Reese Witherspoon was adorable for the most part and the characters were cute including Selma Blair whom played the resident villain, but “Legally Blonde” was based on a true story, and I really doubt this ever happened. The opening recalls the events of the first film through the three supporting female characters, Elle Wood’s friends, looking through a photo album, it’s sort of a sub-conscious message to the audience from the writers and director: “You liked the first film, right? well, this isn’t as good… but the first one was cute.”
Tag Archives: Crime
Masked and Anonymous (2003)
This pointless, droning, pretentious, pompous, and incredibly self-indulgent piece of philosophical dribble is that rare indie film that makes me say “Oh, that’s why it was never widely distributed”. Being released in only 17 theatres, the writer and director for this film do a really ingenious thing, throughout the film. There are about fifty cameos from some really good actors. It not only gives the audience something to look at, but when surrounded around people who can really act, the producers attempt to make us forget how much of a one note simply awful actor Bob Dylan is. I mean he’s Bob Dylan, this man is like a bad-ass in my eyes with some incredible music, but come on, did he really need to do this film?
Malibu's Most Wanted (2003)
Sure, it was a bit presumptuous on Kennedy and his agent’s part in spinning off a mildly amusing character from his rather obscure comedy show into a feature length movie, and while, once again, all of my expectations were down, I was pretty surprised to find this was just so entertaining. The movie no one has been asking for but came to theaters anyway, stars Kennedy as white rapper B-Rad who lives in the rough and tough notorious streets of–Malibu California with a large mansion he declares as small, and friends who are about as intimidating as gangsters as Britney Spears is talented, not.
Ripley's Game (2002)
Acclaimed actor John Malkovich takes on the role this time of Tom Ripley, the chameleon whom now lives in a mansion in Italy with his beautiful wife and lush aristocratic lifestyle. An old acquaintance from the past returns to his life, and asks that he help him knock off enemies. Ripley wants no part of it, but he does have someone in mind who will, with the right persuasion. Ripley is one of the main characters of this story, someone whom we follow throughout the story. He’s a sick, demented character through his humble facade. Ripley twists and turns everything for his own benefit.
Confidence (2003)
“It’s all confidence,” main character Jake Vig declares (Ed Burns), a slick and charming conman who leads an assembled group of conmen into some of the most brilliant cons. Taking a page right out of the classic “The Sting”, a group of professional conmen pull a fast job on a schmuck at a club, but when they discover that the schmuck they duped was about to deliver his money to mob boss Winston King, one of their men is killed and now they must confront King. King, a rather erratic but threatening boss makes a deal with them: if they pull a job on his rival Morgan Price he’ll give them a cut of the money and let them live, now with many uneasy partnerships with a few new conmen, a difficulties with an investigator who is on their tail, they must pull the con and not get arrested. But who is getting conned? And who can be trusted?
Ripper (2001)
Director John Eyres does manage to capture the appropriate mood for a film with a concept such as this. The set pieces range from grim, to bleak, to bright, to sometimes very sleek, plus he manages to take an old tired horror device: a dark and stormy forest and manages to make it a bit tense with some suspense clearly evident to the audience awaiting the identity of the killer. Jack the Ripper, the famous or infamous serial killer has been fodder for horror movies for decades, and as always is the case, every new movie attempts to put a different spin on the serial killer, attempts to turn and twist, and flip the serial killer into a new movie, but alas, there are very few movies that can take the most interesting serial killer of all time and turn him into a good film.
Buffalo Soldiers (2001)
In the chaotic tradition of “Dr. Strangelove”, the controversial “Buffalo Soldiers” based on the book by Robert O’Connor, is another dark cynical look at the U.S. military in mayhem, chaos, and anarchy while being run by psychotic or incompetent officers is a truly odd and some times far out dark comedy that was shelved due to its massive slurring of the U.S. Military as thought by many, though I prefer to see it as a farce of the U.S. Military. Spawning a stir from audiences, some of which becoming violent and screaming that this film was Un-American, It shows soldiers who are so bored during the period of the cold war they’re resorting to drugs, gambling, and violence to ease their boredom, but this film, while sometimes very intense and extremely odd in the area of the Cohen Brothers is a rather enjoyable yarn that should be watched by anyone who loves dark comedies.