It’s out with Michael Dudikoff and in with David Bradley. After a rumored spat on set with Steve James and the director for “Blood Hunt,” David Bradley was brought on as the new American Ninja. His name is Sean Davidson and he’s not so much an American Ninja, as he is a kung fu fighter who fights ninjas a lot in “Blood Hunt.” Despite Bradley’s best efforts to steal the movie as the new charismatic hero, “Blood Hunt” is boring, confusing, and unnecessarily convoluted. I had such a hard time following the plot, and David Bradley doesn’t quite stack up to Dudikoff. Bradley’s character is a hodge podge of action clichés with a tragic back story that is never quite realized well in the film. He shambles through the movie getting in to battles with ninjas while Steve James returns doing his best to inject some fun in the movie.
Tag Archives: Crime
American Ninja 2: Confrontation (1987) [Blu-Ray]
Someone must have gotten a whiff of “Lethal Weapon” because while “American Ninja” was about lone wolf Joe Armstrong, “American Ninja 2” is a buddy action film with Joe Armstrong and pal Curtis Armstrong teaming up to kick some ninja ass. Steve James is given a much larger role this time around with Dudikoff also being allowed to speak more often for the role of Joe. If you look closely, he also manages to crack a smile and tell a few jokes here and there. The good thing about “Confrontation” is that James and Dudikoff have great chemistry together with a very “Power Man and Iron Fist” vibe evident throughout this latest action adventure. Their dynamic allows the series to open up more and give Dudikoff a chance to play off of someone while kicking ass.
Green Room (2016)
Jeremy Saulnier has a habit for taking the characters he writes and literally throwing them in to the furnace to be scorched. With “Blue Ruin” he set his character down a path of destructive revenge, and in “Green Room” he takes absolutely zero prisoners. He doesn’t just build on four characters that end up in the wrong place in the wrong time, but he punishes them severely. “Green Room” is yet another superb dramatic thriller about innocence succumbing to evil that’s beyond pure emotion and impulse. Patrick Stewart’s character is a villain who works with a horrific sense of swiftness and cold instruction like a businessman trying to clean up an insignificant spill. The moment we meet him he’s a man unencumbered by emotion or anger, despite the fact every move he makes could mean the end of his lifestyle as he knows it.
Kammati Paadam (2016) [Ithaca Fantastik 2016]
After a friend’s frantic call, Krishnan returns to his childhood and teenage years’ village to find his friend and what happened to him. Through a series of flashbacks, their lives are shown through school age, teen years, early adulthood, etc. With a script written by P. Balachandran with collaborative writing by Ajithkumar and G. Sethunath and directed by Rajeev Ravi, the film weaves back and forth through time showing more and more of lead Krishnan’s live as well as his friends and love’s lives. The way the years are mixed together with different actors for only a section of them requires one to pay attention to film as only details such as more white hair show the time passing. Even with this, the film is fairly easy to follow until the search for Ganga really heats up and more characters are added.
Batman: Return of the Caped Crusaders (2016) [Blu-Ray/DVD/Digital]
I’m still not sure what to make of “Return of the Caped Crusaders” even hours after it’s ended. It wants to be both a love letter to Adam West’s “Batman,” and a spoof of it, so the movie sometimes celebrates the show’s inherent absurdities. The next moment it’s not just mocking the series’ idiocy, but also most of the Batman franchise. After “The Killing Joke” we definitely need a lighter Batman with some entertainment value, but “Return of the Caped Crusaders” is so confused about its intent I was never sure whether I was supposed to laugh with it or at it.
The Fiancé (2016)
It’s rough around the edges here and there, but “The Fiancé” manages to be a unique idea that allows for some interesting moments of horror and drama altogether. I like how director Mark Allen Michaels turns transforming in to a monster in to something of a metaphor for how the relationship between our main characters is doomed to fail. Dallas Valdez plays Michael, a wealthy man who is on the verge of losing all of his money after criminal dealings with the Russian mafia. Convinced his beautiful wife Sara, as played by Carrie Keagan, will leave him, he invites her up to a cabin in the woods to propose to her. Meanwhile a Sasquatch is on the loose, murdering people and hunting down whoever gets in its way. We follow a documentary crew and a small group of hikers as they’re all injected in to the movie to transform the mythical beast in to a valid threat.
The Handmaiden (Ah-ga-ssi) (2016)
Park chan-wook is no stranger to delivering some of the best character studies that also pack a sense of sexual perversity, and pain within its seams. “The Handmaiden” is one of his most epic in scope dramas that also manages to be one of the most erotic romances I’ve seen in a while. “The Handmaiden” is pure ambition that succeeds in delivering something of a labyrinthian narrative of crime, salvation, and romance that begins as a simplistic drama. It takes a brilliant artist like chan-wook to handle a film that morphs in to various themes and experience various tonal changes without it completely falling apart, but Park chan-wook handles it by making each new turn around the corner absolutely suspenseful.