Damien: Omen II (1978)

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Seven years after his adopted father failed to murder him and spare the world many lives, Damien now lives with his uncle and aunt. A famous industrialist, Richard Thorn is played with great zeal by William Holden, who is wonderful as the well meaning uncle of Damien who is seemingly the first among his family to realize who and what Damien is. “Damien: Omen II” is considered the lesser of the trilogy, and while it has its problem it’s a generally entertaining and creepy thriller. It just can sadly never get over one hurdle: How did Damien forget he was the anti-christ?

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Disturbing Behavior (1998)

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Director David Nutter and writer Scott Rosenberg take a page from Ira Levin’s “The Stepford Wives” to offer nineties kids a modern take on the author’s novel. Who am I kidding? The pair rip chapters from author Levin and basically just retro-fit it for a modern audience, when all is said and done. “Disturbing Behavior” is basically “The Stepford Wives” except replacing the commentary on conservative men adjusting to the rising tide of feminism, we’re given a town of parents so unwilling to work on their kids they’d much rather just operate on them to make them in to model citizens.

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Dracula: Dead and Loving It (1995)

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Many people insist that Mel Brooks pretty much lost it once the nineties introduced itself. His comedy was somewhat outdated and he’d run out of material. I say thee nay! Sure, Mr. Brooks didn’t deliver any films in the level of “Blazing Saddles” in the nineties, but damn it I think his later efforts were entertaining in their own right. I think “Robin Hood: Men in Tights” is wacky fun, and you know what? I happen to find “Dracula: Dead and Loving It” to be hilarious on more than one occasion.

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Detention Of The Dead (2013)

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Director Alex Craig Mann’s horror zombie comedy would probably like to be considered an amalgam of “Shaun of the Dead” with “The Breakfast Club.” And while those attempts at claiming both territories are admirable, his film never quite lives up to aspiring for both heights at all. Mann’s film starts out respectably, taking beats from “Shaun” with moments of school activity interrupted by zombies lurking in the background and stumbling in to class. And then suddenly everything goes to hell. The problem is while it seems to enjoy “Shaun” very much, it’s never as humorous or clever. When it has the chance to compensate for that flaw by focusing on rich and complex characters, it doesn’t do that as well as it should, either.

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Dark Shadows (2012)

2012, DARK SHADOWS

Were people actually clamoring for a big screen adaptation of a soapy daytime horror melodrama from the fifties that only hardcore horror fans know? Did we really have to have a big screen adaptation of a Gothic soap opera? It’s no wonder director Tim Burton approaches the adaptation of “Dark Shadows” with a tongue in cheek often derisive attitude. The show is obscure among the broader audiences, and even when he fine tunes the film with goofy humor and testicle jokes, it’s still so niche that not even hardcore Burton apologists will enjoy what he has to offer. Like most recent Burton productions, “Dark Shadow” is gaudy, busy, and feels like Burton going through the motions without an inch of heart injected in to the narrative.

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Dead Before Dawn 3D (2012)

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Watching “Dead Before Dawn” try to be funny is like going in to a third rate haunted house in the sticks on Halloween. It’s nice you’re trying really hard, but you really aren’t doing what you intend to. “Dead Before Dawn” tries to be many things, and one of them is a comedy. While it did elicit genuine laughs from me sporadically it manages to miss more than it hits. In fact by the end, the joke went on almost way too long. I was pretty relieved it ended or else I was afraid I’d begin to hate it.

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Day Of The Dead (1985) (Collector’s Edition) [Blu-ray]

dotd“I’ll set us down. But I won’t leave my seat and I’ll keep the engine running. Now the first sign of trouble, I’m going up. If you ain’t on board when that happens, you’re likely to have a lousy afternoon.”

A deserted metropolitan lingers in the tropics, signs of turmoil and carnage still linger. Garbage is strewn about, shadows wash past walls, and piles of money brush in to the air like hurricanes, unclaimed, and now merely just paper. After calling out to the city with a bullhorn looking for survivors, there is an answer, but not the answer Sarah and Miguel were looking for. From the corners of the city, the walking dead begin seeping in. The air is no longer filled with sounds of the ocean, but of the horrific moans and shrieks of the dead. The darkness is now filled with the motion of dozens of shambling corpses, and for miles all the pair could see are the cold, pale, snarling faces of defeat slowly creeping in on the couple, hungry for their flesh.

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