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Devil Girl (2007)

Devil_Girl-PosterIn an isolated desert town, a girl travelling cross country after the death of her father has car trouble after a drag race.  This forces her to stay in town for a while which means finding a place to stay, getting work, and mingling with the locals.  She ends up dealing with a weird motel owner, a preacher with odd leanings, a clown-faced man, and a stunning devil girl.

“Devil Girl” is directed by Howie Askins who co-wrote with Tracy Wilcox Gillie.  The story they put together here should be a great story considering its components, but instead of focusing on the titular Devil Girl, they relegate her to a few too short appearances, letting the film be about Fay, the girl on a road trip who ends up working as a stripper to survive.  The story also has a clown who seems to have been added for shock and weirdness factor which he does bring , but for all his screen time, he has very little impact on the story until the very end where he could easily have a been replaced.

The characters are decently written but not given much of interest to do.  The few twists and turns in the story are not quite enough to make it riveting or even all that interesting. Most of the cast gives ok performances with few stand-outs.  Lead actress Jessica Graham gets the most screen time and gives a good performance through most of it but she does look absolutely bored in a few scenes, most specifically the strip club scenes where once can guess she was trying to convey discomfort or shame as she did get the job reluctantly.  The one actress who really stands out the most and only gets a few scenes is Vanessa Kay who is the Devil Girl.

She has a very short time to make an impression but makes the most of it with a performance full of glee and charm, giving good reason for the movie to be named after her minor character. With a film called Devil Girl, one would expect more of a horror film but this is not it.  There is a little blood and some special effects; the design of the Devil Girl is pretty and sexy, her outfit being nearly nothing but red paint, which leads to a stunning attractive presence on screen for the curvy actress.  The main point of interest here, outside of the red hot girl, is the cars.  A bunch of old school muscle cars, racing each other and being eye candy.

For all of its muscle cars and the sexiness of the title character, the film is quite bland, boosting a group of basic, expected desert town settings and a lackluster story.  The film uses occasionally shaky camera and a lot of mild grindhouse looks to add to its story but it just doesn’t grab the viewer to make them care.  The last act twist basically kills the entire film and story built so far.

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Dèdalo (2016)

dedaloI hope director Jerónimo Rocha eventually turns his idea for “Dèdalo” in to a feature length horror film. While I love “Dèdalo” all on its own, I’d love to learn more about the specifics behind this narrative, and how these monsters spawned. The monsters presented in this nightmarish feature seem almost bred out of oil and muck, and they seem to infect those around them with this crude substance that makes their victims deformed prey. “Dèdalo” begins on a very strong note as we witness young Siena climbing along the side of a Space Freighter/Refinery.

Wounded and very torn after what seems like a hellish fight for survival, she seeks out a medical kit lying alongside the body of one of her shipmates. While one of the disgusting beasts on the ship feasts on a lost comrade, she looks to inject herself with some kind of antidote that can perhaps cure her of what seems to be an infection that’s made right hand black as coal. But the situation become more difficult as she tries to cure herself without being heard, and out wit the creature only inches away from her.

“Dèdalo” has a marvelous atmosphere and sense of mood behind it, making it feel like a nightmare. It definitely draws its inspiration from “Alien” even borrowing the strobe light effect that gives director Rocha’s short an added layer of menace and terror. “Dèdalo” is a wonderful short horror film that uses its apparent influences to enhance its narrative and concept; I’d love to see director Jerónimo Rocha use this as material for a feature length production. I think “Dèdalo” could become a classic.

Dinosaur Valley Girls (1996)

DVG“Dinosaur Valley Girls” is a film I remember watching in the days of cable TV when it was a haven for bad films. Much of the nostalgia flashes back with what is a guilty pleasure that revolves around boobs and hammy acting. Tony Marco, an actor tired with the monotony of a mansion, fame, a gorgeous sex starved girlfriend, and a mistress, finds himself wanting more in life. Who could ask for anything more, eh? Well, for Tony, he desires much more, something more down-to-Earth, and natural—especially now that he’s haunted by dreams of a blonde cave woman.

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Dirty Grandpa (2016)

DirtyGrandpaI would have loved to be a fly on the wall during the pitch meeting with DeNiro for “Dirty Grandpa”: “And so Efron comes to pick you up, and you’re lying there on your recliner masturbating in the nude to interracial porn! He screams in horror while you’re ejaculating, but you’re so cool about it, that you barely acknowledge the awkwardness. The kids will love it!” I appreciate that Robert DeNiro seems to be actively working against being typecast as some wise old grandpa or magical elderly sage.

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Daddy’s Girl (2016)

daddysgirlIt’s not enough to just make a horror movie. Most times horror movies have to have mood, and tone, and aesthetic, and pacing. Some of the greatest horror movies have a distinctive style all their own and are helped by their cinematographer. Director Jed Hart’s “Daddy’s Girl” is a very good and very creepy short film, and his short is improved ten fold by the amazing cinematography by Craig Dean Devine. Continue reading

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Dirty Books (2016)

Dirty-Books“Dirty Books” is really one of those short films that could have benefitted from a longer format, or at least twenty more minutes of story. On its own, it’s a pretty solid drama comedy about a young students’ last grasp to instill some sense of relevance and popularity in his soon to be defunct school newspaper. Noah Bailey plays David, a young reporter who is called in to his principal’s office to discuss the inevitable death of the school newspaper.

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Dark (2016)

dark2016I don’t know if I’d recommend Nick Basile’s “Dark,” since its marketing makes it seem like a thriller when in reality it’s actually something of a drama. I went in to “Dark” fully expecting something along the lines of “Repulsion,” but in the end this is more about the sadness of mental illness and the stifling alienation of New York City. “Dark,” produced by Joe Dante, isn’t a badly made movie, mind you. The direction by Basile is great, the performances are top notch, and I love the idea of the premise involving a thriller set during the great black out of 2003. It’s just the delivery falters mid-way and the narrative seems to ride on fumes by the time the second half rolls around.

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