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Epic History X-Men, Volume 3: The Dark Phoenix Saga

EpicHistory1There’s no bigger an X-Men fan online than Comic Book Girl 19. The web personality has made her claim to fame from online personality to bonafide geek goddess by providing insightful, lucid, and very controversial opinions about comic books and pop culture in general. Among some of the biggest pop culture dynasties, Comic Book Girl 19 is one of the most passionate X-Men fans around. Like me, she hates the movies, but loves the X-Men comics and longs for a day when we can finally see them adapted properly on the big screen. “Epic History X-Men” has nothing to do with the movies, and is in fact about a certain stream of storylines and character arcs involving the X-Men.

Comic Book Girl 19 and director Tyson Wheeler have their cut off point, and end episode three of three with the “Dark Phoenix Saga.” The massive science fiction arc was penned by Chris Claremont and is one of the most complex, complicated, and unusual storylines ever put to the comics. And Bryan Singer actually is going to try to simplify it for one or two films. That aside, “Epic History X-Men” is a fantastic and very entertaining documentary where Comic Book Girl 19 and her sidekick Robot lay out the events of “The Dark Phoenix Saga” and explain the storyline’s nuances and emotional strong points as thoroughly as possible.

Though the series as a whole could just being Comic Book Girl 19 sitting in a chair and laying out every point of the storyline, she and director Tyson Wheeler switch up the monotony by adding splashes of panels from the comic books. They also animated a lot of the panels, and even add their own voice overs and great sound effects, all of which really add a flavor and excitement to an already enthusiastic host. Comic Book Girl 19 loves the X-Men, and she seems to have a ball describing every storyline, from Jean Grey returning as the Phoenix, the big rumble with the X-Men and an erotic mutant organization called the Hellfire Club, Wolverine taking down a whole army of guards single handedly, to Jean’s eventual transformation in to the dark side as the Dark Phoenix which ultimately split the team apart.

Comic Book Girl 19 even takes the time out to introduce her favorite X-Men: Dazzler. Dazzler is a light controlling mutant that Comic Book Girl 19 has fought for, defended, and consistently taken scrutiny for favoring over everyone else in the comics, but makes a darn good case for the character’s significance to the “Dark Phoenix Saga.” What’s punctuated through most of Volume 3 is that the “X-Men” isn’t just a series about young people going on adventures. It’s a long and very unique consistent epic about people with extraordinary powers from various ethnicities and nationalities fighting for humanity, and learning that they themselves are human, in the end.

Though considerably low budget, “Epic History” volumes 1-3 garners some bang up production with excellent voice work. They’re undoubtedly very exciting, entertaining, and heartfelt glimpses in to only some of the most important storylines in one of the most unique and original characters in comic book lore. Comic Book Girl 19 treats the material with great reverence and will likely leave you seeking out the books and appreciating the characters so much more. Suffice it to say I had more fun with the third chapter than I did with “X-Men: Apocalypse.”

“Epic History X-Men Volume 3: The Dark Phoenix Saga” is now available on Vimeo On Demand.

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After the End (2013)

aftertheendThough many people will probably see “After the End” as a somber look at the end of life, it is in reality a very cathartic look at how death can sometimes be the beginning of a new stage in life. “After the End” is an emotional and brutally heartbreaking look at loss, and how much we’ve all come to fear death and view it as a totality. Who among us hasn’t lost a loved one in our lives? Every single one of us has suffered at least the loss of a pet that has greatly affected us and caused us to re-think and approach the rest of our days in a new respect.

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Heavy Metal Parking Lot (1986)

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“Madonna can go to hell as far as I’m concerned! She’s a dick!”

If aliens ever came down to Earth and wanted to know what the eighties were like, they could look no further than the time capsule that is “Heavy Metal Parking Lot.” It is, as many have described it, the viral video before viral videos existed. I’d love to see a documentary about this film some day, or perhaps an actual feature made around the events that occur in the fifteen minute documentary. It’s a hilarious and often absurd look at a certain time period where everyone wore mullets, walked around without shirts, bragged about doing drugs, and women were often very proud to admit they wanted to “fuck” certain band members’ “brains out.”

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VHS Massacre: Cult Films and the Decline of Physical Media (2016)

VHSMassacre

For other documentaries about the VHS resurgence and the nearing end of physical media, a lot of directors have spent their time trying to figure out where it all began and celebrate the idea of the VHS boom of the modern era. “VHS Massacre” seems to be standing in ground zero of the end of physical media and trying to figure out where it’s all going, rather than where it all began. For many of us that have reveled in the new wave of VHS appreciation, we all know how it began. VHS won over Beta, despite the latter have more quality simply because VHS had more appeal to its product. It cost less, the tapes stored more footage, and porn became almost exclusive to the format. But with the rise of digital media, VHS has gone the way of the dodo, now relegated to good will bins and mom and pop stores deep in small towns and counties.

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The Phoenix Incident (2016)

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On March 13th 1997, mass hysteria and dozens of conspiracy theories followed the sighting of a massive series of lights over the city of Phoenix Arizona. Known as “The Phoenix Lights,” said sighting has been a hot topic for UFO enthusiasts for years, and remains a mystery that the government has been very vague about discussing since. Director and writer Keith Arem has a good idea on his hands with “The Phoenix incident” and dares to combine various filmmaking formats including found footage, documentary, and action thriller. While it doesn’t amount to a flawless science fiction thriller, Arem’s ambition and concept is still pretty admirable when you step back and soak in the entire experience.

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We Like It Like That: The Story of Latin Boogaloo (2016)

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Director Matthew Ramirez Warren’s “We Like it Like That” is a masterpiece of musical cinema. It’s a long overdue exploration at the beginning and unfortunate ending of Latin Boogaloo, a musical hybrid that helped to shape a generation and has also lived on in the hearts of younger generations. It’s clear by Ramirez Warren’s enthusiastic direction and approach that he love Latin Boogaloo, and he instills within the subject a unique and bold energy that will educate eclectic music lovers on one of the major influences in modern latin influenced pop and hip hop. As a guy who grew up in the Bronx, I spent many parties sitting alongside relatives that grew up with Boogaloo, and it was always a guarantee that music would be played before the night was up.

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Blackfish (2013)

blackfish

The willful ignorance and glaring stupidity of the American public is ultimately was contributed to the fate of the poor sea life held hostage at Sea World. “Blackfish” is another instance of a major corporate entity lying boldfaced to their consumer and exploiting someone to make a profit. While it would be easy to completely blame Seaworld for being cruel and vicious captives of the Killer Whale species, its their customers and supporters own inability to distinguish between fact and fiction that contributed to the sheer cruelty and violence that has constantly plagued Seaworld since its inception. Seaworld has gone through decades of covering up the deaths of trainers that have fallen victim to the wrath of Orcas, all of whom have acted upon their natural predatory instinct. Seaworld also exploited the Orcas, convincing their paying public that these wild animals were capable of being tamed and transformed in to lovable beasts we can play with.

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