“Fear The Walking Dead” is to “The Walking Dead” what “Law & Order: SVU” is to “Law & Order.” It’s another series in the same universe but with its own scenarios and characters. It’s unfortunately taken three years to find its footing, despite its very good ratings. It packed with it a great cast of Cliff Curtis, Kim Dickens, Ruben Blades, as well as a ton of diverse side characters, but still never quite took off as a strong tale about the apocalypse. Now with its soft reboot and a new cast the series is better than ever, in spite of the audience kind of dropping it by the wayside. Regardless, season four was a huge step up for “Fear the Walking Dead” and I hope season five continues down this path with an even better, stronger villain.
Tag Archives: Drama
Bram Stoker’s Shadowbuilder (1998): Special Edition [Blu-Ray]
Whether you know it as “Bram Stoker’s Shadowbuilder,” “Shadowbuilder,” “Bram Stoker’s Shadow Builder,” or jut “Shadow Builder,” Jamie Dixon’s 1998 horror fantasy is an okay genre entry. While stumbling here and there in visual effects, the STV horror flick makes for a neat diversion with genre vets at the helm. Dixon’s horror fantasy is one of the last remnants of the video store/Pay Per View age, where horror was mostly relegated to trenches. I never gave it much of a chance when it was heavily promoted on cable back in 1998, but watching it now, it’s aged considerably well, garnering the old fashioned late night cable flavor I miss so much.
28 Weeks Later (2007)
Danny Boyle’s “28 Days Later” was a big horror film that made a boom when it appeared in the states, so a sequel was a no brainer. As with most genre efforts, with a sequel you have to go bigger, louder, and faster. While I miss “28 Days Later’s” more subtle, quiet, and somber meditation on the end of the world, and a rapid fire virus, “28 Weeks Later” has its strong points. It’s a solid follow up with some very good ideas in its corner, it just fails in some elements, especially in how it breaks the rules of its own villainous disease.
Fifteen Years Ago, “28 Days Later” Altered Horror
It wasn’t until 2003 where I was truly introduced to Danny Boyle (I’d seen Shallow Grave in 1994, and admittedly greeted it with a very negative reaction. Hell I was eleven). I fondly recall going to the movies that spring and experience a teaser trailer to Danny Boyle and Alex Garland’s “28 Days Later.” The trailer, like the film, was frantic and horrifying and it piqued my interest to where it was all I thought about for months. In the summer of 2003, I managed to see “28 Days Later” finally. It happened to be an even more interesting experience than I ever imagined because I’d seen it a week before I had to have mandatory open heart surgery. To say that I was in a rollercoaster of emotions while watching “28 Days Later” is an understatement of the highest degree.
All About Nina (2018)
Eva Vives’ drama comedy about a fracture comedienne is one of the most honest and engaging dramas of the year, and “All About Nina” is a success mainly because of Mary Elizabeth Winstead’s stellar performance. Winstead is one of the most underrated and overlooked actresses of modern cinema. She’s mostly been relegated to playing supporting characters and final girls most of her career, but given the right material she’s shone in roles that should have earned her awards notice. She was immense in “Smashed” and she’s remarkable in “All About Nina.”
Eighth Grade (2018)
Bo Burnham’s coming of age drama comedy “Eighth Grade” is an impressive debut that’s managed to tap in to the point in life where we’re transitioning in to a very difficult period of puberty and adolescence. Everyone remembers their time in eighth grade, and like John Hughes, he explores a period of youth that is very much modern, and speaks to today’s teens. Burnham sets a light on the age of self discovery and the time where we’re learning about what we are as people.
Monsoon (2018)
Writer-Director Miguel Duran’s “Monsoon” is one of the most beautiful dramas I’ve seen all year. In a sub-genre that’s often either overly exploitative or tends to be silly, “Monsoon” is a restrained and very subtle tale about loss, love, and trying to find the need to move on with your life. I knew very little about “Monsoon” going in, so suffice it to say I was taken completely by surprise. Miguel Duran really delivers a gem that audiences confronting the death of a loved one would be wise to see. “Monsoon” is a riveting and just downright heavy drama about death and the beauty of life, and I was sucked in from minute one.