Transmission (2017) [Horrible Imaginings Film Festival 2017]

A man is kept captive; his captor both tortures him and spoils him. What does he want? Why is he doing this?

Written and directed by Tom Hancock and Varun Raman, this short has more questions than it gives answers, creating an odd mystery as it entertains with its proceedings. The two leads are used as nemesis in a way and the story unfolds as an odd game of captor/captive that seems to be going to a definite ending but turns out to be something else entirely. The film’s story keeps most of its action in one location and uses this location to its maximum potential. The small cast actually helps the story in creating a sort of intimate chaos.

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Midnighters (2017) [Horrible Imaginings Film Festival 2017]

A couple coming back from a New Year’s party hits a man on the highway. As they try to figure out what to do, things take turns for the worse and worse, testing them and their resolve.

Written by Alston Ramsay and directed by Julius Ramsay, Midnighters is a thriller with touches of horror that takes its time to set up the situation and the stress of it before through a wrench into the proceeding and ads extra characters in the story and everything takes a few more turns that are surprising yet still make sense. The writing and directing of the film show that they creators work well together and them being brothers definitely help. Their work is good here and the film is a tightly planned and executed thriller.

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Shot (2017)

A couple on the verge of divorce goes to lunch, on their way out, a random bullet hits the husband and wounds him badly. As he attempts to survive and re-adapt, the teen who shot him by accident tries the same.

Written by Anneke Campbell and Will Lamborn from a story by director Jeremy Kagan, Shot is a story that shows the danger of having guns on the streets and aims to encourage discussion about gun access and gun violence. The film here shows how an accidental gunshot can drastically change 3 lives in just a split second. This is done by telling both the story of the victim and his wife and the story of the teen who shot the gun. The film tackles both at the same in time in two different styles, part of the film showing their stories at the same time, with a split screen, and part of the film going back and forth between the two stories. This creates an interesting dynamic and causes a bit of an emotional overload at times which helps the film here as it shows the chaos caused by the situation.

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It (2017)

Andrés Muschietti’s “It” has proven in a year of really bad Stephen King adaptations, that it is very possible to put one of King’s most popular novels on screen and remind us once again why King is King. Muschietti, like Tommy Lee Wallace before him, has the daunting task of compressing an eleven hundred page novel in to what will end up being a five hour epic. Yet, “It” manages to come out mostly unscathed as a film that is both a spooky horror film and a stellar coming of age drama. Much like “Mama,” Muschietti’s work on “It” ends in a film that can be appreciated as a human drama and a pure horror movie packed with heart, scares, insight in to growing up in an unforgiving, cruel world.

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Survivor Type (2012)

So you saw “The Dark Tower” and were meh on it, but then you saw “IT” and were all over it.  As “Mr. Mercedes” is available for streaming and “Gerald’s Game” is coming soon, how else is a die hard Stephen King fan supposed to satiate their thirst, their need? Shorts, of course.  After watching tons of Stephen King short film adaptations, one of them stands out head and shoulders above the rest and every fan should make it a point to find it and see it.

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Shower (2013)

Perhaps one of the most controversial and polarizing short films of the year, “Shower” has inspired a lot discussion among the media. Is it shocking just to be shocking, is it exploitative, or is there an actual message to be absorbed here? I don’t think there is a wrong interpretation, but I will find it fascinating to see how audiences respond to it after watching it. It’s become a very volatile short film with a climax that I kind of knew was coming, but still left me pretty shocked. Love it or hate it, you have to ask yourself if it’s art, or just a ploy to shake audiences up?

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