If there’s one complaint I can lobby at “Under the Dark Wing” is that I really would have loved ten more minutes for exposition. Director Christopher DiNunzio unfolds an interesting story with considerable ambiguity that audiences might enjoy, but I think ten minutes more would have lent the film more dread. In either case, “Under the Dark Wing” is still an eerie and fascinating horror drama that focuses on dread placing it front and center.
It’s pretty sad when you sit through a horror movie and the only thing you can take away is the delight of seeing another talented “Degrassi” alum taking on the horror genre. Chloe Rose was one of my favorite characters of the series, and its fun to see her tackling more complex material. “Hellions” is ultimately a mixed bag that presents brief glimmers of greatness, but constantly stumbles in to sheer mediocrity and incoherency. To make matters worse, the film ends without any real clarification of what we’d just seen. Bruce McDonald seems to be building up to something, but then just shuts the film down before we can make sense of anything we’d just seen.
Cindy Maples really has a clever film on her hands here that I hope storms festivals soon enough. I didn’t know what I was expecting with “Random, but surely enough I was happy with what resulted in the end. Maples is a very talented director with a skill for exposition and characterization, while also telling a story that’s quite gripping.
There’s always been something about me and underdogs. I love rooting for the underdogs. Even as a kid who loved comic books, while my friends were buying Punisher, Wolverine, and Batman, I was spending my time on Darkhawk, War Machine, Night Thrasher and Superman. The last character is iconic and a household name, sure, but he wasn’t in regular circulation in my circle of friends that collected comic books. It’s been hell being a fan of “Daredevil” for many years without proper justice paid to him. Surely, Frank Miller did an amazing job with him for a few years, but watching other characters get big screen treatments while Daredevil literally got short handed was irritating.
“Entourage” is probably the first movie I’ve ever wanted to punch. It’s also the only movie I’m sure that if I punched, my fist would probably smell like Axe body spray for a few weeks. “Entourage” is certainly a movie. It had a beginning, a middle, and an end, and had actors in it, and a script. I’m assuming. I’ll just lay it all on the floor right now: I have never seen a single episode of “Entourage” even though I am familiar with it. For folks that would argue that you have to be a fan to understand and or enjoy this film, I would argue that that excuse only highlights how terrible this movie is.
Matt is literally running on borrowed time. After a morning spent completely dismissing his wife who craves intimacy, he’s confronted by a local internal affairs worker Stephanie Miles (Regina King). Said worker is insistent on interviewing Matt about an incident he had with a perpetrator at a bar one night. Matt is very cryptic about what went down that night, despite eyewitness reports, and that’s when things begin to unravel. Ms. Miles has pictures and concrete reports of what occurred between Matt and the drunk, and this resulted in a violent confrontation that may have involved an exchange of bodily fluids. The problem is the suspect is infected with HIV and it may have been transmitted to Matt.
I’m a little exhausted with indie filmmakers setting every horror film in the eighties based on some hope that if it’s set in a nostalgic decade, the film will in effect be a gem. It’s not enough to show characters playing classic Nintendo, and walking around with neon colors. “Run, Hide, Die” garners a lot of inexplicable elements, from the eighties setting that adds nothing to the overall narrative, right down to the title that in no way reflects the film at al. It adds up to a pretty miserable dramatic thriller that poses as a horror film, and fails to deliver on every aspect. It spends too much time on characterization, offers no interesting villain, and just delights in being melodramatic when it should be terrifying.