The Sandlot (1993)

If you’re going to crib from Stephen King’s “Stand By Me,” then you’d better do a good job of re-tooling it. Thankfully, and miraculously, David M. Evans directs one of the best coming of age dramedies in cinematic history. “The Sandlot” is a film that takes the “Stand By Me” premise and adds a baseball-centric theme to the story that becomes the crux of everything the film is built on. It’s the reason characters are able to connect, it saves characters from immediate danger, and it’s the macguffin for the entire movie. “The Sandlot” thankfully doesn’t shove the baseball Americana themes down the audiences throat, but instead focuses on the characters featured in the film as actual characters with complexities and flaws that decide whether they succeed or not.

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Family Movie Favorites – 12 Movie Collection (DVD)

Mill Creek delivers a dozen family friendly films for anyone looking to wile away a weekend on light G rated television movie fare, for a low price. “The Best Bad Thing” features George Takei about a young girl named Rinko who discovers the nature of her Japanese heritage during the depression. Never quite feeling American or Japanese enough, she learns about her culture and comes of age and her culture. “Bonjour Timothy” about a young boy named Timothy who is tasked with hosting a foreign exchange student named Michael.

When Michael actually turns out to be an attractive girl, Timothy vies for her affection, along with other boys. “Both Sides of the Law” centers on two twelve year old boys from the inner city who have to pick the paths of their lives, one leading to crime, while the other leads to a law abiding fate. As both grow apart, they slowly become bitter enemies.

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"Bates Motel" Pilot Review

Much like “Terminator: The Sarah Conner Chronicles” was much more about the journey of Sarah Conner rather than the life of John Conner, “Bates Motel” is much more about the psychosis and sheer lunacy of Norma Bates, rather than the origin of Norman Bates.

The series, from what the pilot alludes, is very much going to lead in to the descent in to madness that Norman Bates takes. And it’s all thanks to his mother. She’s a very crafty and manipulative woman who seems to know so much more than she lets on.

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Red Dawn (1984)

Director John Milius’s 1984 war action film “Red Dawn” is probably one of the best guilty pleasures the eighties ever doled out for audiences. It’s certainly one of my childhood favorites, a film I recall re-watching time and time again and cheering on the likes of Charlie Sheen and Patrick Swayze. The film as a whole is absurd and incredibly silly, with everything in the film being drawn as inexplicably convenient for the good guys, and incredibly bad for the bad guys. Trained mercenaries can’t possibly outwit and outgun a bunch of high school students whose only training is hunting in the woods? Seriously?

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Bobby Deerfield/ Baby, The Rain Must Fall/The Chase/Ship of Fools – 4 Movie Collections (DVD)

Mill Creek Entertainment offers drama fans four very acclaimed and intresting dramatic features for folks looking to save money. Sydney Pollack directs the 1977 film “Bobby Deerfield,” a film starring Al Pacino as a race car driver who finds himself falling for a mysterious and terminally ill young woman. Through the woman’s final days alive does Pacino’s daredevil character learn more about life. There’s also the 1965 “Baby, The Rain Must Fall” directed by Robert Mulligan starring theg reat Steve NcQuen. McQueen plays Henry Thomas, a young man who loves to sing in his band and is pressured by his mother to go back to school and get his educaiton.

When Thomas’ Wife and daughter come back in to town looking for a home, Thomas gets a new sense of priority. Though McQueen is far fetched as a rockabilly singer in a band, he has a good chemistry with co-star Lee Remick. Marlon Brando stars in the 1966 Arthur Penn directed “The Chase.” In it, Brando a sheriff named Calder known for being something of a puppet who finds a new mission when a local begins having an affair with a gangster Charlie “Bubber” Reeves’ wife.

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Grease 2 (1982)

When I was a kid one of my favorite movies on constant rotation was “Grease.” It’s still one of the most entertaining movies I’ve ever seen, and downright spectacular adaptation of one of the most interesting stage musicals ever introduced to audiences. Upon discovering there was a “Grease 2,” I was ecstatic. Another chapter to one of the most bad ass movies ever made? It’s too good to be true. It was during the middle of the opening number to “Grease 2” that my excitement dropped down to an immediate disappointment and I struggled through what is easily one of the cheapest and worst sequels ever devised.

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You Have to See This! Faster, Pussycat! Kill! Kill! (1965)

Russ Meyer was a man who loved breasts. He surely enjoyed the female form, but mostly he loved breasts. He fetishized them, worshipped them, and centered his entire career making films that idolized them in some form or another. Russ Meyer is one of the last directors who cast and adored curvy busty women, and though he’s written off sometimes as an exploitation director, Meyer definitely was a dying breed of male. Sure, breasts are still worshipped in today’s society, but not many directors have the guts to reveal them so much in their films.

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