We’re told from the very beginning that young Kate has Leukemia and yes, she’s dying. This presents with it a domino effect on the family, all of whom are still in denial that she’ll be taken away from them so deep in to her childhood. Why? Because she has a sister named Anna who was genetically designed to serve as a matching donor for her. This denial has led to no sense of happiness for everyone. Mom Sara and dad Brian are basically closed off from their emotions as resentment builds, brother Jesse has basically been pushed to the wayside in spite of his reckless habit of staying out at all nights, and most surprising, sister Anna is hazy on her purpose in life and among her family.
Tag Archives: Drama
The Hurt Locker (2008)
I honestly think that given enough time, Hollywood is going to understand how to create a great film about the Iraq War. In the eighties we observed the sixties and its impact on society and given another five or six years we’ll get the right film about the Iraq war that chronicles its impact on civilization. Few movies have done it successfully (“In the Valley of Elah” was excellent, though). That is until now where Kathryn Bigelow has managed to capture the chaotic fervor and flat out insanity of the occupation of a foreign land told through the eyes of three soldiers, one of whom happens to be a bomb specialist who takes risks time and again to ensure the safety of his platoon.
Where the Wild Things Are (2009)
2009 saw an unusual change in the status quo. What were once edgy indie filmmakers soon turned to directors aiming for children’s entertainment that was raucous and quite unusual. First Wes Anderson and then Spike Jonze. That’s no caveat though as Jonze takes his knack for the surreal and the unusual and makes a family film that’s quite edgy. Never shying away from mild violence and scary images, Jonze adapts a famous children’s book in to one of the most fantastic piece of family filmmaking ever made. Displaying hints of danger, Jonze’s film is about unbridled childhood fun and the innocence that’s lost once confronted with the prospect of growing up. Do we all have to lose our imagination from a world that demands even children to leave childish things behind?
Invictus (2009)
Clint Eastwood’s newest master work is the near documentary “Invictus” a film that chronicles the life of Nelson Mandela in 1995 taking the reins as president of South Africa who hoped to bring his country together through the distant hope of winning the world cup. Through his mission he meets Francois Pienaar the captain of the country’s rugby team who is hitting a slump and is tasked with winning the cup. This view of Mandela is quite unique as Nelson Mandela is painted as someone who wasn’t interested in being liked. For most of the movie he is very much hated and is often viewed as a disgrace by foreign countries and his own people. All Mandela hoped in doing was unifying his people and stopping the war and violence at the expense of his own status quo. He defied orders and just wasn’t keen on giving up on humanity and his own people’s civilization.
Sunshine Cleaning (2008)
Christine Jeffs movie is one that I really wanted to love and god knows I went in to it with a shit eating grin ready for something truly unique. Instead I was given something that fails to seize anything resembling an identity. Emily Blunt and Amy Adams are pretty darn good, even in a movie that’s pretty darn flawed. Blunt handles her American accent well and plays probably the most fascinating character in the bunch. She’s a slacker but is also fiercely devoted to her family. So devoted is she that she takes part in her sister’s cleaning business, a lucrative cleaning service that scrubs blood, limbs, and any other bodily fluid left behind in crime scenes. The two have a dynamic chemistry and that reflects on screen as a pure highlight.
Why Hire a Killer? (2009)
I always say that you can tell if a movie is going to be really good or flat out stink by the first ten minutes. And that’s because the first ten minutes is when any sensible filmmaker starts off with a hook. It’s a device that gives us something of a bang for our buck that convinces us to stay or just flat out leave it out in the cold for someone else to deal with. Sadly, “Why Hire a Killer?” leaves very little reason to stick with it. Judging by the five minute long opening credits, Director Oscar Sanders really doesn’t have the ability yet to hit us with a hook.
(500) Days of Summer (2009)
If you only knew how sick and tired I am of the same ho hum romantic comedy we get starring Hugh Grant and some other boring movie star, I tell you I could go on forever. What’s so infinitely excellent about “(500) Days of Summer” is… well everything! From the get go the movie stares you right in the eyes and proclaims “No, this isn’t a romance film.” And boy howdy do they get the message across. What also helps the anti-romantic atmosphere is the casting of the always whimsical pixie Zooey Deschanel who matches wits and lines with the always excellent Joseph Gordon Levitt who by all rights isn’t your conventional romantic lead. But as always Levitt proves why he’s one of this generations excellent young actors.