Let’s be honest kiddies, “Dark City” was “The Matrix” before “The Matrix” was ever in the pop culture lexicon, and Alex Proyas simply gets zero credit for ever bringing this concept to the forefront with his own Neo set amidst an unreal world where time is an illusion, and the thirties are ever lasting. One of the most underrated and under credited science fiction films of all time proved that Alex Proyas wasn’t simply a one trick pony directing “The Crow.” Filled with a beautiful view of a city on the borderline of illusion and pure nightmares, “Dark City” is a world that really may not be all that we see it for. The characters in this world are all living in a gritty, dank, and dreary series of landscapes that engulf one another in to an abyss where the puppet masters named The Strangers drift in the darkness preparing to change the landscape at a moments notice.
Tag Archives: Drama
All the Boys Love Mandy Lane (2006)
I loved “Mandy Lane,” I can’t deny it. It’s damn good, probably one of the best slashers in the last ten years. A masterpiece? Nah, not really. But what it is is a strong and surprising slasher film with characters that are actually engaging to watch. All the while it sets us up for some of the most vicious kills I’ve seen since “Sleepaway Camp.” Humorously enough, “Mandy Lane” is exactly what I was reminded of while watching, because both films feel like two completely different genre fueled narratives.
Mamma Mia! (2008)
There’s not a better trio of respective dads than the likes of Stellan Skaarsgard, Pierce Brosnan and Colin Firth, all of whom are quite entertaining in their hapless roles as men pulled in to a wedding of a girl that may be their long lost daughter. Probably the stand out is Pierce Brosnan who presents a great chemistry off of Meryl Streep as Sam, the man pushed away after a brief fling. These three are never afraid to get goofy in their performances and can handle the singing quite well when they need to. Amanda Seyfried is given a big responsibility to carry the role of Sophie, an idyllic dreamer who hopes to find her father bringing the entire scenario together and shines vocally and charismatically as this young girl who uses her wit to bring together this group of people to bring closure to her biggest question. Seyfried handles the role well and she’s a thrill to watch.
Best Served Cold: Our Favorite Revenge Films
We all have that dark voice in us. That little spark that says punch the guy who called you a bitch right in his throat. Go scratch your name into his car. Get revenge. That, my friends, is why we enjoy movies about others seeking vengeance so much. We can sit down, watch the violent release and never have to worry about feeling guilty. The pompous directors in pure denial want to call them thrillers. Hell, they would prefer if we called them thrillers, and not revenge films, but we know what they are. Hell, strippers want to be called erotic dancers, but we all know it’s not going to happen. Strippers are strippers, and revenge films are revenge films.
And that’s just how we likes ’em. Suddenly, the revenge genre is big news in Hollywood, and those of us who love a good revenge tale are in hog heaven. In the last two years along we’ve have flicks like “Death Sentence” with Kevin Bacon, “Straightheads” with Julianne Moore, and “The Brave One” with Jodie Foster. So, in honor of this sudden resurgence, we wanted to pay respect to our absolute favorite revenge films. Be aware, we excluded some utter classics, but we felt these deserved a spot in the top ten in the end. Let the blood flow.
Witchblade: The Complete Series (2000) (DVD)
These past few decades haven’t particularly sold me on the Witchblade franchise that’s for sure. For one, I never found too much to take away from the comic book beyond Michael Turner’s fantastic art, and then here came the TNT Television series that was nothing but underwhelming and completely void of any potential to rise above the television crime series doldrums it practiced.
In spite of my best efforts to enjoy it upon its premiere, “Witchblade” could never quite convince me that it was something worth sitting through until its end after two seasons. It hasn’t aged too well eight years after it premiered. It’s filled with bullet time (courtesy of “The Matrix” craze), and bears numerous references to Ricky Martin, but watching it again after so long, it’s not as bad as I remembered.
The Mutant Chronicles (2008)
Granted, I didn’t fall in love with “The Mutant Chronicles” as much as I’d hoped, but with post-apocalyptic movies it’s almost impossible for me to be disappointed. Director Simon Hunter’s Science Fiction horror flick doesn’t disappoint even if it’s never anything above average. Hunter gathers all the right elements for the post-apocalyptic epic from corporate corruption, war, and religion, as well as the teaming of a group of survivors who could save the world with their collective skills on the battle field. Bringing strong memories of “Seven Samurai” to mind, Hunter and co. aim for a more comic book or video game approach by treating each character with a mini-bio per their introductions. Thanks to the ever vigilant Brother Samuel who acts as the resident moral center and martyr.
American Zombie (2007) (DVD)
“Jesus was the original zombie.”
I guess zombie movies have reached the point where they’re basically self-consuming niche titles that have nothing new to offer. They’re either vague remakes of Romero, or vague remakes of “Shaun of the Dead” which is where “American Zombie” comes in. It’s a mock documentary that also tries to be social commentary, and more often than not it manages to work well as a tongue in cheek little satire on society and its fear of immigration and outsiders. Every society has to have a minority of individuals who choose a lifestyle that we have to chastise and condemn, and director Grace Lee takes an interesting step in exploring this collective action of a fearful society through the scope of the horror genre that turns zombies into a group of re-animated beings seeking to go about their lives in a world that has little room for them.