Just so we know where we stand, I disliked Cube, and hated Cube 2: Hypercube, both films that made the basic horror/science fiction fan cream their pants. Though the concepts were original, the writers and creators did very little with it and thus we were given much repetition in both. One is about a bunch of people in a cube maze with death traps, Cube 2 was just basically a lot more of the same thing, and it seems to me the creators figured out that they needed to change it or else continue repeating the same old stuff, so they created this prequel/semi-sequel called “Cube Zero”.
Tag Archives: Drama
Raise Your Voice (2004)
What’s more fun than this movie? Picking your nose, eating glass, listening to a Hillary Duff song, hell even watching a Paris Hilton movie. What is so incredibly laughable is that the director is so intent on giving Duff a respectable boost, he forgets that the truly sensible audience will just laugh it off. There’s a hilarious quotation from Beethoven before the movie begins that is extremely presumptuous paying too much homage for what we are about to see, and what we’re about to see is more horrific than anything we’ve seen in horror films in the past ten years. It’s not so much that “Raise your Voice” is an awful film, but it’s more that this is so insanely, brutally melodramatic and manipulative it would make the writers for day time soaps cringe. As always we watch Duff in every single frame of this god forsaking movie, and she doesn’t help this film at all.
Crash (2005)
From the very beginning, director Paul Haggis gives us a dam and begins filling water rapidly in to it, and as the water piles up minute by minute, we just know eventually the dam will burst. So, like me, the audience will be at the very edge of their seat, unable to look away as Haggis teases and manipulates us waiting for the crack in the wall where the walls will come tumbling down. Does it ever? You have to watch to find out. But, as I sat watching, I knew eventually something was going to give way and lead up to a shocking moment, and it’s just something you must experience, because my words can not express how utterly breath taken I was by this amazing film. “Crash” is a film I intend to spend much of my life spreading the word about, because it deserves much talk and discussion among its viewers.
Under Milk Wood (1972)
From the play by Dylan Thomas, “Under Milk Wood” examines not only a colorful array of individuals that pepper the town of Llareggub, a small but flourishing village of people who scheme, gossip, and co-habituate among one another in this village of oddballs and eccentrics. The well-acted piece closely resembles Thomas’ play in which often times we pan through the rooms over and over exploring these villagers. The film, set in different locales, doesn’t really have much of a focus, instead we explore each villager over and over and, surely, this is that experimental art film that movie-goers fear intently. It’s often times very whimsical with Richard Burton who pulls in a good performance as the narrator exposing the quirks and idiosyncrasies of the town folks through his serene storytelling.
Vlad (2003)
Imagine “Bram Stoker’s Dracula” mixed with “The Davinci Code”, imagine “Interview with the Vampire” sans the homosexual overtones, imagine “Dracula”, mixed with two Benadryl, a shot of whiskey, and a knock on the head, and you can perfectly sum up what “Vlad” is. This poor man’s “Bram Stoker’s Dracula” that becomes more of a quasi-“The Vlad Code” is a snoozer and a half, as a bunch of people try to dissect the legend of Vlad Tepes, but what sounds like a taut analyses of the legend of a war monger inevitably becomes a murky, utterly mindless, superficial quasi-thriller with people talking a lot and not saying much, characters interacting without chemistry, a lot of discovering Romanian villages without ever involving the audience, and a lot of characters walking around the forest without getting anywhere… and Billy Zane shows up at one point.
Unbreakable (2000)
This is, to put it plainly, my current favorite film of all time.
Let me count the ways:
Cinematography. It’s experimental without being art kitschy. If there’s one thing that M. Night seems to get, it’s a good director of photography. The man knows how to frame a scene. A lot of that, I assume, is just like writing a book. Practice. And M. Night, judging from the early age at which he started making films, has a lot of practice. There are a number of angles in this film that just stick with you. The scene in the train from the perspective of the child. The scene from above the weights, giving the audience weight on the main character. The scene in the rapist’s home where you see the rapist suddenly appear. Willis in frame in his Security Outfit, as superhero as a superhero movie gets.
A Tale of Two Sisters (Janghwa, Hongryeon) (2003)
I’m not sure what warranted the comparison, but “A Tale of Two Sisters” ultimately reminded me very much of “Hide and Seek”, the recent horror dud I had the misfortune of watching. Both films are very much similar in tone, theme, and concept, but make no mistake, they are not the same. In spite of its excellent cover, this isn’t entirely a horror film per se. This is more, in the sense, a supernatural drama that really manages to pinpoint the underlying themes of psychological trauma and childhood pain that, regardless of how much we try, can not ever come to grips with while telling one damn fine story. Such is the situation with this utterly beautiful masterpiece that paints itself as horror, but really ends up becoming an allegory for something completely different.