Tag Archives: Drama

You Have to See This! Shiva Baby (2020)

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Streaming on Hulu, Amazon Prime Video, HBO Max

It’s unreal that Emma Seligman is a newcomer director when watching “Shiva Baby.” She manages to build and introduce us to what is easily one of the most chaotic and absolutely uncomfortable movies I’ve ever seen. “Shiva Baby” is a master class in making its viewer absolutely uneasy and anxious as Seligman just revels in amping up the anxiety to every single bit of her narrative every minute. Seligman, despite making “Shiva Baby” her work of absolute love, is not one who ever lets her characters off the hook. Despite focusing the entirety of “Shiva Baby” on her central protagonist Danielle, Seligman has a great time making her squirm, panic, and just about heave in sheer horror as she twists the screws on her throughout “Shiva Baby.”

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Pleasure (2021) [LA&M Film Fetish Forum]

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Many times in our lives we spend it eating our meals, but never really knowing how the meal is prepared. We never know how the sausage is stuffed, we never see the cow butchered, and “Pleasure” is, in a way, a look at how the cow is butchered for our entertainment. “Pleasure” isn’t so much an indictment of the porn industry, it’s more so a look at the rough and shoddy experience that is the porn industry and how much it can destroy someone that isn’t quite prepared for it. Our main protagonist Bella Cherry is a woman who will do anything to be a famous porn star, but the question lingers is how far is she willing to go to achieve that stardom?

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Blame (2018)

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It’s hard to believe that “Blame” is a debut feature, as Quinn Shephard manages to develop a drama that’s so richly layered and filled with so many themes about consent, sexual abuse, and the boundaries between mentors and their protégés. “Blame” is by no means a perfect drama, but as a debut it sure manages to be a compelling character study through and through. Quinn, who also writes, edits, and stars, manages to explore the whole dynamic involved in grooming and the inherent power play that arise from them. “Blame” is a lot about the idea of groomers and the entire interplay between adults and younger people that can tend to cross lines often.

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Women Talking (2022)

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“What follows is an act of female imagination.”

Sarah Polley has always been a wonderful actress who turned in to an Oscar worthy director. It’s just a shame she’s yet to be recognized as one by the Academy. “Women Talking” is a potent indictment of modern civilization where women are gradually losing not only bodily autonomy, but the clear power to punish those that do harm to their bodies. “Women Talking” and its release does not seem like an accident, as Polley, a staunch activist manages to create a very tense tale of women grappling with their duties to themselves, their community, and their faith.

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Are you There, God? It’s Me Margaret. (2023)

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Judy Blume’s “Are You There God? It’s Me Margaret” is quite possibly one of the most iconic and influential young adult novels ever written. Even back in the early nineties, all the girls in my class read it. Director Kelly Fremon Craig pulls off a great feat, taking what’s usually considered a novel for young girls and transforms it in to a narrative that any tween or pre-teen can relate to. Even with its setting in 1970, “Are You There, God?” is still such a down to Earth and richly developed story about growing up, choosing your path in life, and trying to understand the adults in your life.

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Blood Relatives (2023)

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I’m surprised with how much I enjoyed “Blood Relatives,” since it’s not so much a horror film, as it is more of a road trip drama comedy about two vampires. That’s not meant to disparage “Blood Relatives” at all, I found Noah Segan’s horror comedy to be quite good and a very engaging tale about a father and daughter learning to love one another and bond. What makes their dynamic even more difficult is that they have the whole vampire thing wedging between them, which amounts to considerable dramatic tension. Thankfully none of the dynamic ever really feels forced, as Noah Segan and Natalie Moroles have great chemistry.

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Going Nowhere (2022)

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One of the things that being a filmmaker does is it grants you the ability to know the true hardships of really making a film. For an indie filmmaker, simply getting your work out there is not just a labor of love, but it is laborious in and of itself. “Going Nowhere” is thankfully one of the many very good indie productions about making movies. Izzy Shill’s feature film debut is a meta-mock documentary about the struggles that come with getting a movie finished. Along the way she also tackles ideas about human relationships, getting the perfect message across with your film, and the impostor syndrome.

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