Z-O-M-B-I-E-S 2 (2020)

The follow up to the surprise 2018 hit musical is a superior movie in every way possible. Although there didn’t seem to be much that they could do with a follow up, “Z-O-M-B-I-E-S 2” does a darn good job in amplifying what was so great about the first one; the writers are great at adding on to the whole mythos of the town of Seabrook offering even more characters, more potential for more monsters, and give cheerleader Addison her own arc. While in the original she sought to fit in with the zombies, now she’s looking for her own group, unsure of where she really belongs after her experiences with Zed and Zombietown.

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Z-O-M-B-I-E-S (2018)

It’s an allegory for class divide. That’s basically all “Z-O-M-B-I-E-S” is. That doesn’t mean it’s not a good movie, but once you can get past the clumsy symbolism of the way the zombies are supposed to be the more impoverished individuals, while the humans are meant to be the upper echelon, “Z-O-M-B-I-E-S” is actually kind of a fun horror comedy musical. You wouldn’t think that they could really pull off a zombie horror comedy for kids, but Disney and director Paul Hoen do a pretty darn good job of it. Even if 2013’s “Bunks” is better.

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Barbie (2023) [4K UHD/Digital]

Whodathunk that the most successful film of the year would be “Barbie”? Despite the somewhat lingering doubt about the IP’s relevance among the modern youth, Greta Gerwig managed to tap in to a rare element where she took a toy and turned it in to an actual film. Greta Gerwig doesn’t just deliver a comedy musical about a doll and her boyfriend, but a conscious, self aware and often meaningful statement about sexual dynamics, and existentialism. Barbie begins to question her purpose in even her own world, and this sets off the chain of events that follow.

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The Halloween that Almost Wasn’t (1979)

It’s surprising that “The Halloween that Almost Wasn’t” has managed to become something of a mini-cult classic over the years. It was a TV movie that was almost lost to time, and once reclaimed, has survived thanks to nostalgia. The TV movie was much before my time, so I don’t have any real sentimentality directed toward it. In either case, ”The Halloween That Almost Wasn’t” isn’t the best Halloween special, but it has its heart in the right place, even through the cheesy final scene.

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Hellraiser (1987) [LA&M Film Fetish Forum]

“What is your pleasure, sir?”

Clive Barker’s “Hellraiser” is a purely body horror tale about hedonism in its purest and most raw essence. Even today it’s a very erotic, but gruesome tale about the pursuit of pleasures of the flesh and how it links to a breed of entities that may or may not be pure evil. “Demons to some, Angels to others” Pinhead (technically named “Hellpriest”) proclaims is a representation of the how the cenobites reach deep down in to the pits of sexuality and kink. And no human can ever really be prepared to see what the practices of this otherworld army has in store for them.

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The Haunted Pumpkin of Sleepy Hollow (2002)

I always get a kick out of Washington Irving’s story of Ichabod Crane and the Headless Horseman. And I always get a kick out of movies that put a little twist on the formula. “The Haunted Pumpkin” is a short but sweet Halloween tale that takes the whole Headless Horseman story and brings it in to the modern age; the animators and writers insert a little bit of hijinks, and some comedy in what is basically embracing the tale of the Headless Horseman to an effective degree.

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