Watching “Something, Something, Something Darkside” is similar watching another episode of “Family Guy.” It’s boring, tedious and so intent on being funny it feels as if it has to point out almost every single joke it posits. “Ahaha, the giant chicken is Boba Fett!” says Peter. Get it? Because the chicken fights with Peter in these long drawn out unfunny fight scenes meant to kill time and hide the fact the show is short on actual story. “I’d give my right hand for this day to end.” Get it? Because Chris is Luke and Luke gets his right hand cut off by Darth. When Luke is hanging from Cloud City, Leia asks Luke to raise his right hand. Get it? Because Chris is Luke and Luke gets his right hand cut off by Darth. “Turn the Ship Around” is played when Leia asks Lando Calrissian to turn the ship around to save Luke. Get it? Because of the disco song. Does any of the target audience even know what Disco music is?
Tag Archives: Fantasy
Star Wars: The Empire Strikes Back (1980)
I was born in 1983, so most of my knowledge about “Star Wars” being something of a magical property at its time was because of my uncle who is a big fan of the series and recalls all the stories about watching the original film and “Empire Strikes Back” in theaters with audiences who managed to garner an amazing experience. These days there is no such thing as a genuinely thrilling experience at movie theaters anymore. “The Empire Strikes Back” is the height of the “Star Wars” trilogy, the movie that told audiences a genuine story and amped up its dramatic tension and suspense considerably by adding more depth to its heroes and even adding much more complexity to its villain Darth Vader by giving him a master to answer to who had large plans for the galaxy under his tyranny. “The Empire Strikes Back” is proof positive that without Lucas’ control, this series was destined to hit major high points that arguably faltered with “Return of the Jedi.”
Spiderbabe (2003)
Misty Mundae aka Erin DeWright aka Erin Brown is an underrated performer. I’m a little hesitant to call her an actress, but she is a competent performer worthy of some acclaim if she ever manages to break free from the softcore porn/exploitation genre and approach an actual acting career. If you saw her in the “Masters of Horror” episode “Sick Girl,” she capable of vulnerable sympathetic solid acting. But that’s not to say I don’t love her in what she does. I’ve seen “Playmate of the Apes” where she’s in full on comedy mode leading the charge with a bunch of fake apes going to war, and I enjoyed her in “Lord of the G-Strings” where she engaged in mild girl on girl and petting with some brutally hot fantasy nymphs, so “Spiderbabe” was naturally a treat for me as Mundae explores her comedic talent and her ability to be both grating and charming at the same time.
The Virgin's Promise: Writing Stories of Feminine Creative, Spiritual and Sexual Awakening
Through the respective teachings and psychology of Jung and Freud and many others, author Kim Hudson creates a rather astonishing look at the breakdown and dissection of the virgin role in popular fiction and how the role applies to the order of storytelling and screenplays. For those interested, this is strictly a book for the writers, primarily the screenwriter who would want a second glance and exploration in to the virginal figure of lore and myth that involves the female virgin that forms a quest of exploration through hardships.
While the male virgin is more based around realistic hardships that also lead to a similar quest of exploration. The way author Hudson masterfully breaks down the elements of the character and the models of archetypes and molds, she manages to explain just about every popular tale in pop culture where our virginal hero is one who is guided on a quest and led through a journey of awakening aided by the coward i.e. “Star Wars.”
The First Easter Rabbit (1982) (DVD)
Rankin Bass are a humongous part of my childhood. Every single year during the holidays we were treated to their holiday specials on CBS and ABC here in America, and we’d tune in every single time. It was an event. Over the years Rankin Bass have shown that they’re really not the most original studio to have ever dabbled in animation. Stepping back to look over their specials, they’re all basically the same thing with an identical formula that is successful but kind of obvious. There’s the story of a holiday icon born out of coincidence, a supporting cast of children, the evil villain anxious to stop or tarnish the holiday, and of course most of the story is told by an older legendary film icon.
Bugs Bunny's Easter Special (1953) (DVD)
So Easter is coming up and Warner is looking to celebrate that by releasing a small grouping of Easter themed DVD’s. One is a compilation of Bugs Bunny cartoons set to the theme of Easter! Normally I’d call this a lame repackaging in an attempt to gauge money in the spirit of the holiday, but I hate Easter and I love Bugs Bunny so nuts to you. Oddly enough this is actually a movie about Bugs Bunny. For some reason Granny is friends with the Easter Bunny. Sadly he’s very sick and can not deliver eggs to children, so Granny seeks out Bugs to fill in. Bugs can’t because he’s in the studio filming his latest movie and the ever reluctant hero as he is, decides to fill in for the real deal.
The Legend of Rune Wraith (2010)
It seems the more Larry Longstreth forms his own niche in indie films the more bizarre his comedy gets and that’s not a bad thing. Because even the most unusual concepts are pulled off because Longstreth is never afraid to go over the top and stretch the confines of the genre he is most comfortable in. “The Legend of Rune Wraith” is a full on display of the abilities of Longstreth who seemingly improvises most, if not all, of the lines here.