Watching “Avatar” is like watching a magic show. There’s lights, and sounds, and smoke, and hand waving and it’s mesmerizing if you watch without caution, but if you manage to go back stage and see what’s really happening, you’ll find that what show there is is all just an illusion, it’s all just razzle dazzle with an empty center. That’s what James Cameron’s phenomenon is like sitting through. An exhausting two and half hours basically amounts to nothing more than a carnival ride, an experience that’s interesting sure, but easily forgotten once you’ve decided to move on to the next light show waiting for you. I’m not one to besmirch Cameron for giving us this movie because no matter what I say the general consensus has been that American audiences and movie goers around the world have accepted it, but I’m one of the few who see behind Cameron’s smoke and mirrors and just craved more.
10. Wall-E (2008)
Yep this is it, the Final Destination, the alleged final installment in the “Final Destination” franchise that promises to close up the entire storyline. And yes, I’m not buying it either. When there is money to be made, sequels are still a potential cash cow and I think the series will continue to live on when the studios decide it’s time to make some money off of this carnival of cruel and painful deaths. What “The Final Destination” promises is not what it delivers. There are simply no questions answered to the big questions. Who are chosen to receive these premonitions? Are these people just random or do they possess unusual powers or gifts? Are they apart of a legacy or do they just happen to be apart of an accident or misfire? Who or what grants them these premonitions? Does death give it to them as some sort of sick game? And if there is some mystical being granting these people the gift to foretell the next move of death why do they want these people to be one step ahead of death?
In Rob Zombie’s first bastardization of the Halloween franchise, we’re told that Michael is so intent on going home that he’s willing to do anything to get there and is perfectly willing to remain unresponsive to psychological help. We’re also told that he’s completely emotionless and cold to just about everyone. And yet here we are with “Halloween II” where we get to see how cute and affectionate he is with his mother. This is further proof that Zombie just doesn’t know what the hell he’s doing ninety percent of the time. How can we ever expect to see a good movie from this man again if the story he’s telling is inconsistent? Seeming to have no other option these days, Zombie continues chucking rotten eggs our way from the contrived “Halloween II” (I refuse to call it H2) right down to the awful animated mess that was “El Superbeasto.”