Revolting Rhymes (2016) (New York International Children’s Film Festival 2017)

In the tradition of “Fractured Fairytales,” directors Jakob Schuh & Jan Lachauer create what is pretty much one of the most inventive and creative twists on the fairytale I’ve ever seen. “Revolting Rhymes” takes all of the classic fairytales and manages to create one shared universe that is not only very funny but makes complete sense. The computer animated film, relies on a lot of subtle comedy and great computer animation that almost looks like stop motion upon first glance. The directors realize Roald Dahl’s book series with great success allowing for a fun twist on fairytales that thankfully is never cloying or obnoxious as films like “Shrek” or “Hoodwinked.”

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Dinosaurs vs. Apes: Hollywood Goes Ape! (1994)

Don Glut is a lover of the golden age of monster movies, and his 1994 documentary explores Hollywood’s fascination with apes. Though “King Kong” popularized the giant ape in film, the idea of giant apes have been around for quite a while and even showed up every so often in silent films. Even by 1994 standards, “Hollywood Goes Ape!” isn’t the most polished documentary, but it does offer a no frills exploration in to ape cinema of all kinds. There are looks at giant ape films like “King Kong” and “Konga,” and odd ball ape movies like “The Ape Man,” and “Superman vs. The Gorilla Gang.”

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Mighty Joe Young (1998)

It’s really hard to stack up to the original “Mighty Joe Young” which itself was kind of a simpler take on the giant ape tale. While the original remains untouched, it’s really hard not to enjoy the 1998 remake by Disney and director Ron Underwood. While it can occasionally be silly, it’s still a strong new take on the original film with a great cast, great direction and still very good special effects. This new version from director Ron Underwood strays from the original which was kind of a “King Kong” riff, and transforms it more in to a tale of a woman who watches over a humongous ape named Joe. The writers aim to tackle themes about poaching and wildlife preservation within the fun adventure tale, and most times it allows for an engaging tale of friendship and love.

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Son of Kong (1933)

If “King Kong” was the main feature, than “Son of Kong” is the less than stellar epilogue. After King Kong died in the middle of Manhattan, Carl Denham is suffering a large amount of scrutiny and possible jail time for what he brought on to New York. He now hides out in an apartment away from the press, all of whom are anxious to interview him and roast him about the part he played. “Son of Kong” is not the most action packed film. At barely seventy minutes in length, it’s mostly an adventure comedy about Carl Denham trying to save his reputation, and falling in love with a lonely female performer who follows him to Kong Island.

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Don’t Kill It (2016)

A demon has taken over the town of Chickory Creek, Mississippi.  As things escalate quickly an FBI agent and a demon hunter arrive in town and are forced to cooperate to save the locals.  As the demon jumps from body to body, they must find a way to stop this demon and not become one with it at the same time.

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The Werewolf Reborn! (1998)

It’s another episode of “Filmonsters!” and while I appreciate the inherent idea behind Full Moon composing hour long movies with broadly written monsters that vaguely resembled Universal’s staples, this second movie isn’t good. In fact it’s almost the exact same movie as “Frankenstein Reborn!” To evoke emotions in the vein of RL Stine’s “Goosebumps” the producers make a young girl the star of their story. I think if it took off, every “Filmonsters!” would have had young teenagers who realize something about themselves or their families while fighting monsters. I wonder if there would have been a “Gillman Reborn!” with a young girl realizing she’s from a family of ancient lizard people or something.

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