For fans that are expecting another documentary about Robert Englund as Freddy Krueger, “Hollywood Dreams & Nightmares” ends up being much more about Englund the actor. While the documentary, clocking in at two hours, does explore a lot about Robert Englund’s time as Freddy Krueger, Gary Smart and Christopher Griffiths’ film is so much more about the actor and thespian Robert Englund. I’m quite happy that that’s the angle that they aim for, as “Hollywood Dreams & Nightmares” is able to set itself apart from so many other horror documentaries. Robert Englund is a seasoned actor and thespian who was classically trained and spent his life trying to perfect his craft.
Tag Archives: Filmmaking
Pleasure (2021) [LA&M Film Fetish Forum]
Many times in our lives we spend it eating our meals, but never really knowing how the meal is prepared. We never know how the sausage is stuffed, we never see the cow butchered, and “Pleasure” is, in a way, a look at how the cow is butchered for our entertainment. “Pleasure” isn’t so much an indictment of the porn industry, it’s more so a look at the rough and shoddy experience that is the porn industry and how much it can destroy someone that isn’t quite prepared for it. Our main protagonist Bella Cherry is a woman who will do anything to be a famous porn star, but the question lingers is how far is she willing to go to achieve that stardom?
Going Nowhere (2022)
One of the things that being a filmmaker does is it grants you the ability to know the true hardships of really making a film. For an indie filmmaker, simply getting your work out there is not just a labor of love, but it is laborious in and of itself. “Going Nowhere” is thankfully one of the many very good indie productions about making movies. Izzy Shill’s feature film debut is a meta-mock documentary about the struggles that come with getting a movie finished. Along the way she also tackles ideas about human relationships, getting the perfect message across with your film, and the impostor syndrome.
Interview with “Brightwood” Director Dane Elcar
Recently, we reviewed the indie horror film “Brightwood,” a stirring mix of horror, science fiction, and relationship drama about a couple who go jogging and find themselves trapped on a trail to nowhere. “Brightwood” is a debut feature from director by filmmaker Dane Elcar, who based his film on a short he directed in 2018. The film has been on the festival route lately, winning Best Sci-Fi Feature at Another Hole in the Head, Best Editing (and runner up for Best Director, Actor and Supporting Actor) at HorrorHound, and will now screening as part of both Panic Fest and Salem Horror Festival later this month.
Mr. Elcar took time out to talk to us about his first feature film, and what inspired such a bizarre genre film.
The Fabelmans (2022)
If you’re at all familiar with Steven Spielberg’s life story and how he related to his family, then “The Fabelmans” has been a long time coming. As someone who read his biography, it’s interesting to explore Spielberg’s home life and how his relationship with his father and mother ultimately crafted who he’d become not just as a man but as a filmmaker. While “The Fabelmans” suffers from being a tad schmaltzy here and there, it’s a worthwhile and engaging drama about family, and how film as a medium can help us view life as we’ve never seen it before.
Living with Chucky (2022)
Director Kyra Elise Gardner’s “Living with Chucky” is a great summarizing of the entire movie series that started from its humble origins, and then explores the reboot which saw the emergence of a new dawn for the series. It’s interesting and garners some unique anecdotes from its cast and crew. There’s a lot of good information and nuggets of wisdom to be mined with “Living with Chucky” and for a one hundred minute movie, it’s sad that it only kicks in in the last twenty five minutes or so.
VHS Massacre Too (2020)
“VHS Massacre” was one of many looks back at the golden age of VHS and how physical media is dying in the age of streaming. Thomas Edward Seymour produced a very good and insightful glimpse at a time where the death of physical media seemed imminent. So it feels only logical that he’d follow it up with a further look in to the death of physical media. The problem though is that “VHS Massacre Too” is a less focused and somewhat confused successor that never quite knows what it’s trying to tell its audience.