Tito and the Birds (Tito e os Pássaros) (2019)

It’s a very good element of animation that it is so accessible and can be fit to work in any story no matter how extraordinary it may be. Animation allows the creator to be as unique and individual as possible, while also conveying an important message that deserves to be heard now more than ever. I can’t say that I loved “Tito and the Birds” but I very much enjoyed it is an imaginative and entertaining adventure with an important message to give its audience about prejudice, xenophobia, the value of animals, and the irrational hysterical fear of the impoverished that’s become so common.

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Mothering (2018) [Slamdance Film Festival 2019]

There are those short films that you go in to, and when they’re done, you wish they could have been so much longer. Lucy Bridger’s drama about a young girl name Mia (Sapphire Paine) who learns to live with a new foster family is subtle, sweet, touching, and actually quite excellent. I would have to see director Bridger adapt this in to a full length film someday very soon.

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023_Greta_S (2018) [Slamdance Film Festival 2019]

Director Annika Birgel short thriller asks: How far are you (or anyone) willing to go to get the job of your dreams? Set during a casting call, young Greta is called in to the office of a director and his assistant. Being subjected to various questions for the sake of getting to know her and connect her to his character on his film, his vague questions about her life turns in to very invasive and emotionally upsetting probes about her love life, and her family.

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Wet Pavilion (2018) [Slamdance Film Festival 2019]

People tend to take for granted how much love can be turned on and off, and how quickly relationships can end. “Wet Pavilion” is an unusual but interesting short drama about a young man sitting in the back of his brother’s car. While he, his brother, and his brother’s girlfriend slide through a car wash, he watches their relationship disintegrate before his eyes.

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Tungrus (2018) [Slamdance Film Festival 2019]

Documentary Shorts Block

 “Tungrus” is a short documentary that you’ll likely never see anywhere else. It’s a documentary about family, about living in confined spaces, and yes, it explores the idea that the possible to answer to a problem is eating the family pet. No seriously. “Tungrus” centers on the large Bharde Family, in Mumbai that lives in a cramped apartment with one another and their pets. After the father brings home a baby chick, the chick manages to survive and grow in to a large rooster.

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Narrative Shorts Block 3 [Slamdance Film Festival 2019]

Blast Beat (2018)
“Blast Beat” doesn’t have much of a premise; it’s merely a slice of life for a black metal band. When a guitarist (Alexandre Dostie) auditions for a black metal band, he has a hard time convincing the lead singer that he can play with and for the band. When she (Corinne Cardinal) decides to try out his vocal abilities, he doesn’t quite seem to be up for the task. “Blast Beat” does have a few funny beats in its four minute run time, including the unusual ability of singers to be able to switch from beautiful opera to loud booming howls for their audience. Pascal Plante’s short is a fascinating and comical look at a skill many underestimate.

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Slamdance Narrative Shorts Block 2 [Slamdance Film Festival 2019]

Akeda (The Binding) (2018)
Dan Bronfeld’s drama is a disturbing but fascinating bit of meta-fiction that examines the real life brutality of war and loss of innocence. Bronfeld stages the film initially like an actual confrontation between American soldiers and an Israeli family. When the surviving son of the family emerges from his spot we learn he’s actually making a film. But is he? As we learn more and more about the filmmakers and their inherent tribalism, what we think we’re seeing doesn’t quite seem as absolute anymore. We’re left to wonder if he’s making a movie, or if he’s merely lying to himself to shield from the horrors of the war and violence that’s unfolding all around him. “Akeda” makes a strong statement about the brutality and sensationalism of war, and it’s a gem of a drama.

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