Though it may not be considered a “Classic” by today’s standards, those among us that appreciate the inherent entertainment value behind “Dark Angel” (aka “I Come In Peace”) know that it’s a unique and original science fiction flick. We always see films about aliens that either want to make friends, diddle women, or invade Earth. How many times do we see a film about an intergalactic drug dealer that comes to Earth to create a super narcotic they can deal in space?
Tag Archives: Gangster
RoboCop 3 (1993)
RoboCop really isn’t that good of a hero, when you think about it. After killing off an evil businessman and a lethal gang in the first film, and stopping the production on a vicious war weapon in the second film, nothing has changed. Detroit is still under control of OCP, and even worse, RoboCop is all alone. With “RoboCop” really just a kids superhero in the nineties what with an animated series, video games, and short lived TV show, the producers try to appeal to his fan base by giving the final “RoboCop” a PG-13 installment and showing little progress story wise.
RoboCop 2 (1990)
“RoboCop 2” in spite of the script from the once legendary Frank Miller, repeats much of the same beats as the first film. It’s twice as violent, and uneven in tone, but it’s basically the first film all over again in many respects. OCP is planning to release another new robotic police officer, they want to make RoboCop obsolete yet again, there’s a vicious violent gang on the loose and wreaking havoc, and they have some connections to OCP.
RoboCop (1987)
Paul Verhoeven’s science fiction revenge picture is a film that’s thankfully shown very little wrinkles since its introduction in 1987. While “RoboCop” is by no means a masterpiece, it surely does succeed in placing itself in the higher echelons of science fiction where its hero is a victim, even when suited in a heavy metallic coat of armor, blasting away every criminal within eye sight.
Kick-Ass 2 (2013)
I wasn’t too crazy about the first “Kick Ass.” The attempts to take Mark Millar’s homophobic misogynistic fantasy and tame it for broader audiences failed. And it failed fantastically once it watered down the cynicism and introduced that stupid rocket pack. I never understood the appeal of adapting the comic, either. Since I never really bothered to finish “Kick Ass 2” the mini-series (Millar’s “edginess” gets exhausting after the thirtieth anal sex joke), my frame of reference is nil, so “Kick-Ass 2” is a fairly fresh experience as a sequel to a movie that could have done without one.
The Principal (1987)
Jim Belushi’s vehicle “The Principal” is that case of a movie that never knows what the hell it wants to be. Sometimes it strives to be an inspiring tale of a principal helping students to learn in a lower class school, and other times it’s an action movie about a man fighting against local gang members.
Venom: Truth in Journalism (2013)
With “Truth in Journalism” director Joe Lynch proves that he’s not only a wonderful indie filmmaker, but that he knows how to add flavor and originality to a popular property. This time it’s a comic book property, and one that’s been iconic since the late eighties.