By my money, I consider James Ellroy’s “LA Confidential” to be one of the greatest crime dramas ever made. It’s an elaborate, morose, and brutally intelligent display of respective talents and truly keen storytelling that gets better with every single viewing. “LA Confidential” was not a real hit with me upon the first viewing; in fact I found it painfully mediocre once the credits began to roll. Suddenly, I found myself watching it repeatedly and soon discovered that it was a stellar piece of filmmaking that grew on me once I opened my mind a bit.
People bitch about how video games get a bad rap, but these days so many action movies are built around this concept that make them live action video games. It’s impossible not to hate on video games when so many action movies want to convince us that they really could be if a studio tried hard enough. Take “Redline” a movie thankfully obscure due to a poor release date and terrible publicity, but is really just constructed like a video game. We have cut scenes, colorful characters, bosses, and various drivers all of whom are introduced with profiles and name inserts by heroine Natasha who takes great pains to give us back story without the script ever having to do the work to good old fashioned storytelling.
These past few decades haven’t particularly sold me on the Witchblade franchise that’s for sure. For one, I never found too much to take away from the comic book beyond Michael Turner’s fantastic art, and then here came the TNT Television series that was nothing but underwhelming and completely void of any potential to rise above the television crime series doldrums it practiced.
