So this is how far Ben Stiller has come in his years. He went from rather ingenious comedy in his old FOX show now starring in remakes of romance comedies that try to break free from the doldrums with over the top sex comedy, and utterly flat improv with his father who plays (surprise, surprise!) a wacky outspoken senior citizen. And trying to break from the conventions, he also pretty much dives head first in to them with endless montages set to forgettable pop rock, and there’s even a prat fall with a bad stunt double that the Farrelly brothers rely on when everything Stiller does fails to draw even the slightest of chuckles.
Tag Archives: H
The House of the Devil (2009)
This movie is a big step up for director Ti West whose debut film was like an immature fan boy’s homage to everything schlocky, while his sophomore film was nothing more than a terrible sequel to a rather terrible film. West matures considerably with what is basically a slow boil homage to the seventies that is obviously inspired by the classic “Rosemary’s Baby.” Everything from the marketing campaign to the posters works under the pretense that this is a time capsule of the seventies, an unexplored gem from that decade that many haven’t quite explored yet.
H2: Halloween II (2009)
In Rob Zombie’s first bastardization of the Halloween franchise, we’re told that Michael is so intent on going home that he’s willing to do anything to get there and is perfectly willing to remain unresponsive to psychological help. We’re also told that he’s completely emotionless and cold to just about everyone. And yet here we are with “Halloween II” where we get to see how cute and affectionate he is with his mother. This is further proof that Zombie just doesn’t know what the hell he’s doing ninety percent of the time. How can we ever expect to see a good movie from this man again if the story he’s telling is inconsistent? Seeming to have no other option these days, Zombie continues chucking rotten eggs our way from the contrived “Halloween II” (I refuse to call it H2) right down to the awful animated mess that was “El Superbeasto.”
The Hurt Locker (2008)
I honestly think that given enough time, Hollywood is going to understand how to create a great film about the Iraq War. In the eighties we observed the sixties and its impact on society and given another five or six years we’ll get the right film about the Iraq war that chronicles its impact on civilization. Few movies have done it successfully (“In the Valley of Elah” was excellent, though). That is until now where Kathryn Bigelow has managed to capture the chaotic fervor and flat out insanity of the occupation of a foreign land told through the eyes of three soldiers, one of whom happens to be a bomb specialist who takes risks time and again to ensure the safety of his platoon.
Hamlet 2 (2008)
Andrew Fleming’s “Hamlet 2” is probably everything “High School High” wanted to be and couldn’t. It’s a raucous comedy that also doubles as an inspirational teacher vs. underprivileged kids flick sans any of the politics and searing melodrama. “Hamlet 2” is probably one of the funniest movies I’ve seen not associated with Judd Apatow and that’s thanks in whole to Steve Coogan who is absolutely hysterical as failed actor Dana, a man who has resorted to making school productions of popular Hollywood films and must find the right play to rejuvenate the arts program when he receives word all arts are being cut from the school he attends.
Hulk Vs. (2009) (Two-Disc Special Edition DVD)
It only stands to reason that Marvel would create such an unusual pairing of short films based around two of Marvel’s flagship characters. What with the Hulk smashing the box office, the development of a “Thor” film, and Wolverine being granted the lead in a new series and a series of action movies, it suddenly comes to mind that these pairings aren’t so odd after all. Once you break it down to its core, it’s really Marvel testing the waters for the fan boys and girls yet again. And if you’re not over thinking things like moi, there’s always the possibility that Marvel just wanted to get three of the greatest Marvel heroes and make them go one, two smashing the Earth and spitting blood in a stand off that only exemplifies the appeal and why my local DVD store had to restock every week since these movies premiered on shelves across the nation.
The Happening (2008) (DVD)
People say that M. Night Shyamlan is the David Blaine of filmmaking, a man with parlor tricks and elaborate illusions of creativity and imagination but I dismiss those claims and still stand by M. Night proclaiming him one of the better storytellers of modern film. Sure, there could be other horror films out there, but in a year generally devoid of horror only with remakes and quasi-horror in theaters and on home video I say that M. Night’s dabbling in the R rated arena was an utter win.