1968 with Tom Brokaw

“I think movements create leaders, leaders don’t create movements.” – Mark Rudd

Every time I think I know as much as I can about the sixties, there’s always something introduced that surprises or astounds me, and believe it or not, while “1968” does tell some stories and accounts some events that we’ve seen over and over again, Tom Brokaw brings to the table the perspective of a journalist who happened to be around during some of the most historic moments of American history, and gives an objective view of the sixties. In the two hour special, aptly premiering a day after the twenty seventh anniversary of John Lennon’s death, Brokaw interviews ex-hippies, activists still fighting for freedom in our country, and right wing politicians all of whom have a different view of the sixties than the host does. Brokaw gladly doesn’t depict himself as important, only an observer who was there, and feels the need to show how astonishingly similar 1968 is to the social and political climate of 2007, and these aren’t simply coincidental, either. In one scene, Lyndon Johnson declares how we must go to war in Vietnam and fight over there before the communists come here.

It’s a common scare tactic used by the Bush administration and only solidified my interest in the documentary. Brokaw and the History channel simply don’t disappoint with an excellent account of the sixties and the entire movement for civil rights, feminism and free love, while also showing the hardships of the movements. The sixties were a time where the draft was taking people of any color to war, and protests raged while some of the best leaders fell to the gun. Not a single stone is unturned as we are given interviews with folks like Mark Rudd, and Jon Stewart and take a look into the awfully subversive legacy that was the Smothers Brothers, and their battles with network censors over their anti-war movement and the satirizing. “1968” is a very informative look at a historical decade and a wonderful exploration at the year that signaled change for better or for worse.

Premiering on the History Channel December 9th.

Human Weapon

Human_WeaponOne of the great aspects of “Human Weapon” is not so much that it’s different, but that it takes a unique perspective on the usual History Channel programming. Rather than explore man made weapons, the two charismatic hosts explore human weapons who use deadly and strong forms of fighting to battle opponents. Imagine “Dirty Jobs” but in a different format. Much like Mike Rowe, our two hosts are very experienced in platform they’re studying, explore these different art forms, and even involve themselves in it.

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American Pastime (2007)

I’m always grateful of films that manage to use its cast of actors for their talents and not the pigeonholes they’ve had put upon them. “American Pastime” is one of the few movies I’ve seen in years that uses its Asian American cast to provide some strong performances, and not fight mystic martial arts of some kind. There’s always talk of African Americans being used poorly in America, but the most suppressed race in the film medium are the Asian Americans. “American Pastime” brings out a strong turn out from its cast of seasoned veterans exploring the plight of the Asian Americans during Pearl Harbor, and many established families being forced to live in Internment camps.

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The Dark Ages

It’s hard to look at “The Dark Ages” without noting the sheer sense of irony engrained within the documentary. It was a time of sheer ignorance and disease, a time where the poor were drawn into war, where wars of faith were fought for years, while tyrannical rulers fought wars based on their faith. It was a time of great violence and poverty… and that’s just been in the last seven years. I had to take that joke, because it’s just too true to deny. “The Dark Ages” is a fascinating documentary chronicling the dark ages. It was a time where slaves revolted against their masters, and the Roman Empire fell to the grasp of warriors who began to dominate the land with bloodshed.

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The New World (2005)

new_worldThe story of Pocahontas just isn’t interesting. There’s nothing about this pseudo-historical tale about a young woman who became civilized that attracts it to me. With “The New World,” there’s no new angle presented to the audience, no new exploration of other characters, and the soapy drippy romance is still present and accounted for. “The New World” just didn’t live up to the hype that preceded it, and that’s because Malick anxiously looks for a new method of telling this yarn and pretty much never achieves his goals in that respect from the get go.

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Band of Angels (1957) (DVD)

BoAIt’s best to keep in mind the historical context of “Band of Angels,” before delving into it. I know that’s a common warning with films of a certain age, but in all seriousness, it keep that in mind. What with Black History Month just around the corner, be aware that “Band of Angels” is as dated as they come. Black actors dress as slaves, white extras are dressed as black slaves colored face and all, and the black characters are referred to as Nigroes and Niggers, and one woman is referred as “Cotton tooth.”

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Jonestown: The Life and Death of Peoples Temple (2006)

jonestown_film_landing“I’ve never said suicide, I never will say suicide… Jim Jones killed them.”

One of the most spine-tingling moments of “Jonestown: The Life and Death of the People’s Temple” is a simple minute of passive home video footage. Jim Jones opens a box of supplies and explores it: “Here we have rice… black-eyed peas… Kool-aid.” How does one man win over 909 people? How does one man convince them he is the second coming of Christ? How does one man convince almost a thousand people to follow him in committing suicide? Prey on their vulnerabilities.

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