A young woman seeks shelter from a convent after getting pregnant, hoping to find caring help and understanding souls, but finding anything but in the house.
Tag Archives: Horror
Alive (2018) [Blood in the Snow 2018]
Clickbait (2019) [Women in Horror Month 2019]
Devil Woman (2018) [Final Girls Berlin Film Festival]
Director Heidi Lee Douglas’s “Devil Woman” is kind of a jumbled mess of a horror movie that has a ton of potential. On one side of the coin it tries to be a horror movie about feral monsters spreading their virus through a bite. On the other side of the coin it tries to an environmentally conscious tale about Tasmanian Devils suffering from hideous cancer destroying the population. It’s tough to get sucked in to a horror movie about feral monsters when the movie bookends the tale with an actual picture of a disfigured Tasmanian Devil suffering from cancer.
The Body Corporate (2018) [Final Girls Berlin Film Festival]
“Midnight Movies” Shorts Block
I can’t say that I would recommend Stepanka Cervinkova’s dystopian horror film per se, but I appreciated the message behind it, and I liked its energy. I also loved the special effects as they garnered the right amount of yuck factor. The big problem with “The Body Corporate” is its sheer confused tone, but otherwise director Cervinkova is at least a good director with a neat concept.
Nose Nose Nose EYES! (2017) [Final Girls Berlin Film Festival]
“Flesh and Blood” Shorts Block
This South Korean horror film by Jiwoon Moon is not a movie about ghosts or goblins, but about the absolute perverse horrors of greed and the evil money can foster. Director-writer Moon tells the tale of a small family living in a sheltered home. After Ji-hyo has a horrible nightmare with her father scaring her without any eyes, her mother Hyeon-woo half heartedly assures her that it was all a nightmare.
Road Trash (2018) [Final Girls Berlin Film Festival]
“Midnight Movies” Shorts Block
Director Natasha Pascetta’s short horror film has a lot going for it, particularly the narration by the one and only Heather Langenkamp. Beyond that there isn’t a lot of substance behind the plot for “Road Trash” and it’s more of a word of caution about good intentions and how they can lead to our demise, but it’s all so abrupt and quickly paced, that the main character’s fate feels kind of mean spirited.



