Lucy’s Tale (2018) [Final Girls Berlin Film Festival]

“Growing Pains” Shorts Block

Director Chelsea Lupkin’s “Lucy’s Tale” is a short I hope to see turned in to a movie someday very soon. I think it has so much potential to become a twisted coming of age story about the birth of evil, as well as a story about body insecurity, sexual awakening, and the horrors of modern bullying. “Lucy’s Tale” suffers from a pun of a title, but once you get past it, Lupkin delivers a narrative that I wish was a hundred minutes and went further in to the story of Lucy.

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Silhouettes (2018) [Final Girls Berlin Film Festival]

“Growing Pains” Shorts Block

Sadly, while I had high hopes for “Silhouettes,” I didn’t particularly love it. I think director Sarah Brill has a lot of potential as a filmmaker and I loved the tension leading in to the climax. That said, everything else is kind of routine and dull, while the film itself is in dire need of tighter editing.

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Friendsgiving (2018) [Final Girls Berlin Film Festival]

“Midnight Movies” Shorts Block

I wasn’t completely won over by Samantha Kolesnick and writer Sean Richard Buddle’s short horror comedy, I’ll admit. It’s probably because the premise has been done to death, and I mean I’ve seen this premise done so many times on film that there’s really nowhere to go with this idea.

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Call Girl (2014) [Final Girls Berlin Film Festival]

“Midnight Movies” Shorts Block

Director Jill Gevargizian’s short “Call Girl” watches like a short interlude you’d probably see in a digital horror anthology similar to “V/H/S/.” And I mean that as a compliment. As a short but sweet little horror tale writer Eric Havens’ script has all the classic tropes of the genre. There’s the vile enemy, the victim, the set up, the twist, and the juicy comeuppance.

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The Short Films of Maude Michaud [Women in Horror Month 2019]

Maude Michaud is a filmmaker from Montreal who has an affinity for the dark side and horror films. See our interview with Maude and previous reviews of her work “At the Door,” and “Frankenstein Unlimited,” to see some of the other things she has going.

Maude’s films are all fascinating to watch as they give insight into the mind of a creative woman with a dark twist to her endeavors. Here are short takes on some of her short films.

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42 Counts (2018) [Final Girls Berlin Film Festival]

“Obsessions” Shorts Block

With the accessibility and affordability of modern technology, it’s become all too easy to spy on people. With a simple click of a button it only takes basic know how to sneak up on a stranger and watch their every move. Director Jill Sixx Gevarzigian sets her horror short on an all too common occurrence. It’s a heinous, intrusive, and perverse crime that’s equivalent to rape or molestation.

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My Monster (2018) (Final Girls Berlin Film Festival)

“Tainted Love” Shorts Block

I love the whole plot twist that ensues in the middle of “My Monster,” a short film basically about finding the right mate, and them showing up when they least suspect it. Brea Grant is always a pleasure to see pop up in these genre pictures, and she’s great in Izzy Lee’s holiday set fractured love tale.

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