It’s another episode of “Filmonsters!” and while I appreciate the inherent idea behind Full Moon composing hour long movies with broadly written monsters that vaguely resembled Universal’s staples, this second movie isn’t good. In fact it’s almost the exact same movie as “Frankenstein Reborn!” To evoke emotions in the vein of RL Stine’s “Goosebumps” the producers make a young girl the star of their story. I think if it took off, every “Filmonsters!” would have had young teenagers who realize something about themselves or their families while fighting monsters. I wonder if there would have been a “Gillman Reborn!” with a young girl realizing she’s from a family of ancient lizard people or something.
Tag Archives: Horror
An Interview with Filmmaker Maude Michaud [WiHM 2017]
Maude Michaud is a multi-talented French-Canadian director, writer, producer, actress, etc. She creates horror films from scratch and that can hit close to home for some. Her films have shocked some and enthralled others; she has a style quite of her own.
An Interview with Staci Layne Wilson [WiHM 2017]
Staci Layne Wilson is well known for her film reviews, interviews (on camera and in writing), her writing, and now producing and directing. Her interests are varied, but she clearly has a preference for horror as seen in her films such as the trippy triptych The Key to Annabel Lee, the sexy Fetish Factory, etc. Her knowledge of the genre and Hollywood’s inner workings is wide and she uses it well in her creations.
Her trivia on IMDB is rather telling: “Has worn Freddy Krueger’s hero claw, George Romero’s glasses, and the original Hannibal Lecter mask.”
An Interview with Tara Price [WiHM 2017]
Tara Price hails from New England and has her toes in a few different waters. She acts, produces, writes, and directs. For her directorial debut, Earworm, she dips in comedy and horror. She also wrote the horror short Another Grace and Johnny Adventure: Zombie Island in which she stars as Grace.
Glimpse (2016)
I don’t know how many audiences will click with “Glimpse” but for folks that can appreciate film as an experimental form of art with no real narrative, John Nicol’s movie is solid. It has no story and no dialogue and often time feels like some kind of music video, but it’s well made. Director Nicol seems to know what kind of movie he’s making, even if it’s never quite clear throughout the eight minute run time.
An Interview with Filmmaker Jill Sixx Gevargizian [WiHM 2017]
Jill Sixx Gevargizian is a filmmaker and music video director from Kansas City with roots in hairstyling and one awesome eye for beautiful images on films. Her newest project, a short for the Soska Sisters’ Massive Blood Drive PSA just dropped and she even stars in it.
Drifter (2016)
Two brothers on the run come afoul of one group after the other until they reach a seemingly abandoned desert village. There they meet a young woman who helps them and meet with a family of crazy cannibals. Written by Chris von Hoffman and Aria Emory, based on a story by von Hoffman who also directed, Drifter is a film about survival in the desert post apocalypse that shows every character but one as bad people. The “bad guys”, the cannibalistic family unit, are truly bad, while the brothers come off as being bad people out of necessity and desperation. Only one character seems mostly good but also a victim of some weird form of Standahl Syndrome. She’s the one who attempts to help the brothers before things really go to shit for them.