I grew up watching Rankin Bass cartoons. I loved them, and watched mostly around the holidays. So every single Halloween, Thanksgiving and Christmas were spent with the folks at Rankin Bass. Someone somewhere would air one of their numerous specials every year, so I love this company. “Jack O Lantern” though is very new to me, and one I was never really familiar with. Which is shocking considering “Jack O Lantern” is really quite a good adventure tale that I would have loved as a child.
Enjoying “Tales from the Far Side” is based on whether or not you enjoy Gary Larsen’s original comic strip. I’d go so far as to say that the original comic strip was never this dark or surreal. I definitely wouldn’t call the animated special from Gary Larson funny, but it definitely succeeds in irony and some very morbid animated pieces. Rather than a fluid narrative, “Tales from the Far Side” shifts from scenario to scenario, all of which are interconnected by some circumstance.
This Halloween I’m celebrating the holiday by re-visiting some of my favorite vampire movies. Vampires have been one of my favorite monsters, and I’ve seen every title I could get my hands on from Dracula 1931 to Buffy the Vampire Slayer. I have typically have a soft spot for vampire movies, and have quite a large list of films about bloodsuckers that I can’t boast about enough. While I have a large library of films from the sub-genre I’d love to re-visit someday, I narrowed it all down to five of the best vampire movies I’ve ever seen. These five have constantly popped in to my repertoire time and time again, and never wear out their welcome. These are my five best vampire movies of all time.
What are some of your favorite vampire movies?
The Delusseys’ family life is disturbed after the father falls ill. As the family adapts to this, Fay, the teenage daughter, begins to think she has a stalker hellbent on taking over her life and stealing her place and her identity. As things escalate, others start to think they have seen Fay where she was not and she starts thinking it’s someone who looks just like, her doppelganger, attempting to assume her identity. What Fay doesn’t know yet is that her family hides a secret that could possibly explain what is happening to her.
After his girlfriend Nina dies in a car crash, Rob attempts suicide he is so grief stricken. Following his failed attempt, as he’s working at a grocery store, Rob meets Holly and falls for her. As their love blossoms, Nina comes back to life to mess with their minds and taunt them.
The film was written and directed by Ben Blaine and Chris Blaine who create characters the audience cares about even through the mounting stress and non-sense of the dead coming back to life while they have sex. The characters feel human; their emotions being appropriate to their situation if one can believe that they would not simply run far from each other as soon as Nina shows up.
I don’t consider it a far off notion to call Neil Marshall this generation’s John Carpenter. The man has delivered his own twisted and original visions of various genres that have ended in some of the most riveting movie experiences I’ve ever had. I first discovered Marshall with “Dog Soldiers,” which successfully combines the werewolf sub-genre with a war movie, resulting in a quite obvious homage to “Assault on Precinct 13.” I’m also a humongous fan of his post apocalyptic tale “Doomsday,” which is his loving ode to the post apocalypse sub-genre and zeroing in on a heroine that’s basically Snake Plissken, even missing one eye, to boot.
Marshall at his best is a raw and relentlessly brilliant filmmaker who can muster up some unique emotions and arouse hot debates among the horror and science fiction community. Marshall’s masterpiece is his odd form of “The Thing,” in where he casts a predominantly female cast, all of whom are confined to one location, forced to fight off delirium, and mistrust, and becoming victim to their landscape, which is harrowing and dangerous no matter where one turns.
My family and I didn’t get cable until Halloween of 1994, so I spent a lot of those early years catching horror movies the old fashioned way. This was before streaming, the internet, and cable, so often times my horror education came from whatever edited horror movies were playing on network TV, what ever horror movie my mom allowed us to see in theaters, and of course, my mom’s VHS horror collection.
“Horrible Horror” was purchased by her in the late eighties, as back then a lot of stores sold VHS movies. I fondly remember visiting my local cashier and looking at the gallery of boxes they had on display in their windows to alert customers that they were selling VHS movies. And as with every trip that involved stumbling upon a store selling VHS, my mom always zipped to the horror section or would scramble to find a horror movie she loved or hadn’t owned. “Horrible Horror” was one of the many gems she’d picked out for herself out of sheer curiosity. And it eventually earned its place in my household as a favorite of mine, and my brother’s.