“Willard” 2003 has a very Tim Burton motif that just didn’t work and with characters that were over the top, and a love interest that’s under-used, it’s not hard to believe there’s barely a story to see here, especially one that is just comprised of Willard seeking revenge on his enemies through the mice. There’s nothing but filler and mild violence that hardly displays the carnage of the mice who are supposed to be the devil incarnate, the devil in Willard, but nothing is accomplished except a lot of tricks involving rats. This time around, there’s a loon playing a loon, in this case Crispin Glover who is delightfully over the top as Willard himself.
Tag Archives: Horror
Saw (2004)

The Grudge (2004)
The remake of “Ju-On” now called (sigh) “The Grudge” is the perfect example of faulty westernization in which the translated work suffers in the translation and completely misses the point of the original. The original had the surprise ending which makes you re-assert your thoughts on the characters, while the remake has the “You thought the monster was dead, but its not!” ending that I yawned at.
Van Helsing (2004)
How do you ruin four of the most timeless, scariest, and three-dimensional horror characters in history? Well, if you’re Stephen Sommers you put them in a special effects-laden piece of trash like this, and then make like a politician and cop -out insisting you’re a fan of these monsters, just to cover your bases and prevent criticism for directing and overseeing this chunk of cinematic sacrilege. The best about the opening of “Van Helsing” in theaters, you ask? Their releases of Universal’s monster classics in boxed sets. Maybe it was sub-conscious guilt on part of Universal for ruining their characters. Van Helsing, my favorite literary hero of all time is resurrected for the hundredth time around ala Bruckheimer motif in this franchise wannabe called “Van Helsing”.
Hellboy (2004)
Prolific director Guillermo Del Toro who penned the previous comic film “Blade 2” and the cult psychological horror film “The Devil’s Backbone” gives some competent direction in this adaptation of the hit comic book. A young agent John T. Meyers is recruited into the ranks of Bureau of Paranormal Research and Defense Facility, he’s signed on to mentor their primary weapon of choice. Given a tour of the facilities gazing on to Abe Sapien a very intelligent reptilian sea creature, he’s assigned to take care of Hellboy. Discovered as a child during World War 2 during a raid on the Nazis, he was summoned to Earth to become the evil Rasputin’s child and eventual ruler of Earth, but when US soldiers discovered him, professor Broom took him in to reform him and he became Earth’s greatest protector using his powers for evil to protect humanity.
Scary Movie 3
Once rumored to have Kevin Smith on board as screenwriter and helmer of the franchise, we have now embarked on “Scary Movie 3.” Now directed by David Zucker, a professional, the man behind “Airplane!,” he directs this time taking the place of the Wayans brothers, and boy am I thankful for the change. If part two and their plans for part three were any indicator, the Wayans ran out of material for spoofing, and the change is most welcome. Now spoofing films like “8 mile”, alien fare “Signs” which the plot revolves around, pop culture phenomenon like “American Idol”, horror films like “The Others”, “The Ring”, and mega blockbusters like “The Matrix”, “Scary Movie 3” has a more fresh new feeling this time around, it has almost a sense of professionalism the Wayans had a hard time instilling.
Ju-on (2002)
“Ju-On” is a sheer test of terror, tension, and heightening suspense, and director Takashi Shimizu who also writes the script gives some inspiring direction that echoes Hitchcock’s directing style of silence and horror within everyday aspects. Though the haunted house movie has been done as far back as movies have been around, Shimizu does one hell of a job with the formula creating not a movie with ghosts, but demons. Starting off with a gritty and frightening sequence in which a man murders a woman, her cat, and proceeds to make his way up to a young boy, and we skip to present day where we watch victim after victim fall under the unrelenting spell of the demonic entities that live in the house.

