Director Larry Longstreth is full of "Bullcrank"

I always say, if you want to know what filmmaking is like, ask an actual fucking filmmaker. Any filmmaker will do. But probably the best tool is a filmmaker recounting what their experience has been like. Whether through the hilarious “Dirty Condoms, Anxiety Attacks, Road Trips, and Reality Shows: Filmmaking 101.” or basically stalking a random filmmaker, you can learn a lot from the indie filmmakers. Larry Longstreth is one in a group of sheer madmen that lurk over at Bullcrank.com. Bullcrank is the comedy group that creates critically acclaimed and rather popular short comedies that range from animated homages to the video game age, to a musical about zombies.

Longstreth and co. have been featured on many websites including Ifilm, their films have ranked high in popularity in both sites, and currently Longstreth recently entered in “The Lot” contest. We here at Cinema Crazed, love the group at Bullcrank after watching “Zombies in my Neighborhood” over a year ago, but we’re only one of many folks that follow the exploits of the Bullcrank crew and their productions. Their website has something for every comedy lover, and you’ll find at least one thing that you’ll be laughing about for days.

Longstreth along with his equally talented brother Aaron, both pop culture and comic book junkies, have managed to build much clout in the independent circuit, and so far they’re making immense progress building a cult following. We decided after a few years of jabbering with the hilarious, odd, and frank head Bullcranker Larry Longstreth, that we’d sit down and get him to spill his beans about his productions, and life. We know that after sampling a few of the short films, and reading this interview, a few new Bullcrankers will be born.

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Horror Business (2005)

HorrorBusinessI love horror movies. I love them so much that it hurts me. I love them so much I feel an ache in the pit of my stomach whenever I just think about coming upon a brand new horror film waiting to be watched. And Garetano loves them, too. But he also has a cynical sense of humor about making horror films. Being a film critic for almost ten years now has educated me. Every film I’ve been sent from aspiring filmmakers who make a horror film and fail to entertain, I hold a deep sense of sympathy for them. Because making films and making horror films aren’t easy. “Horror Business” is a great horror movie documentary about making horror movies.

And it’s about how making horror movies can suck the life out of you. Garetano spotlights some of the most relentless independent horror filmmakers, including the director of one of my personal favorites, “Zombie Honeymoon.” What Garetano conveys is that horror filmmaking, while being essentially filmmaking, is a completely different art form. It’s difficult to scare people, and be a unique voice in the genre, and Garetano explores the feelings and frustrations of these filmmakers as they try to make a film that they believe will be great. And these men have a lot of insight to shed for the audience, as they discuss their thoughts on why we love horror films, and why horror films are so popular these days.

Filmmaking, like writing, is a way of life for these individuals who seek to release all aggression and express themselves, and it’s easy to connect to their desires to want to be seen and heard. And even appreciated. Hell, Garetano even touches upon these filmmakers basic frustrations that horror fans have been singing for years. Why remake a movie when you have thousands of great filmmakers waiting to express their own unique voice? Remakes are for money purposes, and the directors here talk of their inability to be pleased by anything new in the modern film era. The feeling is well expressed among many horror fans these days.

The best way to gain a perspective of film, talk to the actual struggling filmmakers and Garetano really shows how many people will die for their love of horror films, and filmmaking. Film, like any artistic medium can ruin its creator, and “Horror Business” explores that statement perfectly. Garetano really exemplifies the filmmaker’s struggles in film, and creates what is one of the best horror documentaries I’ve ever seen. You can’t receive proper insight about filmmaking unless you talk to actual struggling filmmakers, and Garetano gets it right; “Horror Business” is a film you have to see if you’re a horror buff, or someone thinking about making a serious horror movie.

Roger Corman: Metaphysics on a Shoestring [Paperback]

rogercormanHowever the huge compendium of Roer Corman’s massive body of work, “Roger Corman: Metaphysics on a Shoestring” has steadily convinced me that I’ve missed out on someone of great importance. I understood Corman’s legacy, and importance, and his great influence on film since he began making films, but I was never one who followed him as a fan would. What Silver and Ursini have done is give folks like me a reason to gain interest into the body of the work of Roger Corman. Anyone who still has a stigma of him as a man who made bad films would be better off to read this book that’s an encyclopedia, an analyses of Corman’s work, and a biography all rolled into one. It’s the perfect tool for anyone seeking a new interest in Corman’s unique filmography.

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Raptor Quest [Web Series]

rq“You don’t throw a raptor at someone’s fucking face!”

Bill Whirity and Bill Palmer who directed the pretty good “Broke,” and the great short film “Zombie Island,” now takes another dip with his crew in the world of online series. The pitch? Whirity and his crew are attempting to create a dinosaur movie. They really want to make this movie. And yet have a zero budget. How do you make an epic dinosaur movie without any money? Most of all, how do you create a dinosaur film when you don’t even know what the plot is? Well, that’s the conundrum the crew of “Raptor Quest” are trying to explore.

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Spitting Bullets with Director Alex Ferrari

Fuck off Michael Bay, there’s someone better in town who has the potential to be an in-demand director, and his name is Alex Ferrari. I was first introduced to Alex when Cinema Crazed was in the early stages of accepting screeners for independent filmmakers. Alex sent along “Broken,” and we were interested to see what he had in store for us. And much to our surprise, “Broken” was absolutely great. Ferrari went onto acclaim for “Broken,” a film about a young girl kidnapped by a small group of hit men who assure her she’s not who she thinks she is. Later, Ferrari went on to send more of his features to us, and we were hooked. “Cyn” only proved that Ferrari has the bonafide chops to display good old fashioned film entertainment, without any of the clichés, and sheer idiocy big budget directors often drop into.

Ferrari directs films that look shockingly high budget, even though most of his films only have a budget of a little over a thousand bucks, and is one of the many indie directors providing a slow and steady revival of the Grind House genre, and he’s not stopping at mere low budget action fare. The man has big plans, and he’s getting there and bringing his fan base with him.

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Anthony Spadaccini of Fleet Street Films

Anthony Spadaccini, a good friend, and founder of Fleet Street films recently agreed to do an interview with us to help promote his film “Emo Pill”. If you’re a consummate reader here at “Cinema Crazed”, you’ll know we’ve reviewed many of Fleet Street Films’ titles from “Unstable”, to “Monday Morning”, and one thing you’ll notice about Fleet Street is that they not only seek to entertain, but they seek out to do so while making a statement. Spadaccini and I have remained in touch for a few months, and I even have a copy of “Unstable” from him, and with his new film “Emo Pill” in production, we thought an interview seemed proper.

Many of Fleet Street’s films are dramas, but true human dramas that concern real life issues such as AIDS, murder, revenge, and our justification of crimes. Incidentally enough, most of Spadaccini’s work has either been praised or completely hated, and that’s due to the utter realism he strives for. If you’re not familiar with Fleetstreet, then it is the pleasure of “Cinema Crazed” to introduce you to the company, and to Anthony Spadaccini, a humble director whose created many very good films that have received quite an amount of feedback from viewers, and we implore you to buy his films and tell us what you think. Spadaccini fills us in on what’s going on in his life and his work, and boy is it ever a work load.

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