This is a pretty entertaining film, and reason enough for any B-movie horror lover to check out. It’s written by Michael Hamilton Wright who also directs and Stephen King (What in the hell?!) who is un-credited as second writer. When a strict school dean (Lance Henriksen) installs an advanced super-computer for school security, a rebellious young girl name Jo (Chelse Swain) injects a computer virus into the system and accidentally awakens an evil computer entity that traps her and a bunch of friends in school killing them off one by one. The plot, though incredibly contrived, doesn’t have the same plot the original does and actually becomes a lot more interesting in the process.
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My First Mister (2001)
I realized while watching this film that I enjoyed it a lot more when it was called “Ghost World”; Leelee Sobieski is a talented actor, as is Albert Brooks, but when the story is summed up as a whole it’s just a batch of clichés from many other better films meshed into one entire mess. Sobieski as talented an actress as she is fails to strike a chord with her character and actually comes off as a terrible actress, which is not true when analyzing many of her past films. She attempts to pull off the Goth, annoyed teen angst persona with much desperation, which is evident while watching her try with the material she’s given, but it’s hard to enjoy her when her character is so unlikable and detestable. I would have preferred to sympathize with her character’s personality but its hard to when we see her living situation.
Men in Black II (2002)
This is such a fiercely and aggressively bad movie that I could have torn my eyebrows off my forehead to pass the time. It doesn’t help that this film is an hour and a half because watching this makes it feel like it’s two and a half hours long. It’s amazing how such a skilled actor like Will Smith has managed to build a career upon mediocre and sometimes awful summer blockbusters, yet he continues to rake in the dough movie-wise. “Men in Black 2” is a prime example of a terrible summer blockbuster that should have never been made.
Minority Report (2002)
In the movie it’s the future (2054) and we now see Washington D.C. where a system known as pre-crime is born. Pre-Crime is a new law system where people known as pre-cognitive are used as machines which can foretell the future and predict a major crime. Tom Cruise plays John Anderton, one of the best officers who bust the people who commit the pre-crimes. The system is perfect, flawless and it does the job… but what happens when the system turns on you? Now, accused of killing a man in thirty-six hours he doesn’t know, he is now on the run from his own task force and a Government official (Colin Farrell) who wants him at all costs.
The Master of Disguise (2002)
Despite being panned by critics and landing at number — on IMDB’s worst 250 movies of all time, this is not awful. Considering all the horrible teen sex romps, this is a tolerable movie. Dana Carvey tries his hardest at forming these near flawless impressions of Al Pacino from “Scarface”, and (my favorite) Robert Shaw from “Jaws”.
My Big Fat Greek Wedding (2002)
The story of “My Big Fat Greek Wedding” is basically the cookie cutter romance we see in all Meg Ryan, Julia Roberts movies. It offers the illusion of originality by bombarding audiences with Greek stereotypes, but really clings to the formulaic romance comedy. Nia Vardalos is at least likable as the desperate and lonely Toula who feels pressure to get married by her parents and entire family. She’s the underdog who comes through in the end and that’s what helps this movie become likable. What ultimately drags this movie down is the pacing of the story.
Moonlight Mile (2002)
“The truth is hard. Sometimes it looks so wrong, y’ know. The color’s off, the style’s wrong, but I guess…I guess it’s where the good ones live.” That quote pretty much sums the movie’s entire premise because the parents, Jojo and Ben are desperately holding onto their daughter Diana’s memory and prefer to hold onto an illusion of their happy life rather than ever seeing the truth which is right there in their faces. Why do they do that? Maybe it’s because they hope to have some happiness after their daughter’s deaths and can’t face the stark truth before them. Joe is the soon to be son in law who lives with his in-laws and constantly has dreams with his ex haunting him, telling him to “Just say it”. What “It” is, the parents Jojo and Ben know, though they prefer to turn their heads.