Though it’s often thought of as the film that helped revive the animated film boom from Disney in the nineties, predating a string of hit films from the studio, “The Little Mermaid” is much like “Bambi.” It has amazing animation, and a wonderful soundtrack, but in the narrative frame, it’s unspectacular. While the former film garnered a nearly non-existent storyline with a simple resolution stretched in to ninety minutes, “The Little Mermaid” has almost nothing in the way of reasoning or logic for its heroine’s motives toward happiness.
Well if anything, “Evil Dead: The Musical” is creative. It’s not as funny as it thinks it is, but it has a good time with the material Sam Raimi laid down. It’s kind of odd a musical that features the main character cutting off his hand shies away from the tree rape so blatantly. Not that I am anxious to see a woman violated by tree limbs, but I was wondering why they drew the line at some things and not other.
Hittin’ the Trail for Hallelujah Land (1931)
What does “Hunchback” teach the audience? Whether you’re gorgeous or ugly, if the hot girl says you’re cool, you’ll become the hero. Also, the nice guy always finishes last. Surely Quasimodo rides off in to the sunset with his crowd of supporters in the end, but who is Esmerelda going home with later that night? “The Hunchback of Notre Dame” is a bastardization from Walt Disney, where they take the tragic and brilliant tale of Quasimodo and water it down so much it’s barely an adaptation when we see it in animated force.