Overdrive (2017) [Fantasia International Film Festival 2017]

A duo of car thief brothers runs into trouble after making a deal with a local crime boss in the South of France.

Written by Michael Brandt and Derek Haas and directed by Antonio Negret, Overdrive is a fun car heist film with exhilarating chases, twists, turns, and beautiful vintage cars.  It takes a few cues from The Fast and the Furious, Gone in 60 Seconds, the Transporter series, etc and makes them all its own.  The use of the car is definitely a plot device, but it works quite well here.  The characters are not particularly deep, but as the film is mostly action car porn, it doesn’t really matter in the end.  What matters is that they are believable enough to take the viewer through the story and its twists and turns while being entertaining and fun to watch.  This film is one of those that is made for the fun of it and not to pass on some kind of grand message, something that is perfectly fine and well done here.

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The Shorts of Fantasia International Film Festival 2017 – Part 1 [Fantasia International Film Festival 2017]

Each year Fantasia showcases a ton, almost a literal ton, of shorts films.  Reviewing them can be a bit demanding, so it has been decided to review them in groupings.  The following shorts were attached to feature films that played the fest and were viewed on the big screen.

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The Endless (2017) [Fantasia International Film Festival 2017]

Two brothers return to the alien cult they once fled to see the people still there.  Once at the cult’s camp, they discover that odd happenings are afoot and the cult may not be as crazy as it seems.

Written by Justin Benson who co-directed with Aaron Moorhead, The Endless is a slow slow burn of a film that takes its time to set-up the weirdness going on and creates a sort of mindfuck as it goes along.  The film takes a few known ideas such as cults and time warps and plays with them until they connect and make sense.  The co-directors having worked together on other features, they clearly know how to work together and this shows in how the film is directed, being a way that looks seamless between the two of them and what they each directed, something that is not always well done, but is great here.

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The Bye Bye Man (2017)

It’s “The Bye Bye Man,” or as I call it “Honey, We Ripped Off Slenderman.” In all honesty, “The Bye Bye Man” actually looks like a weak Senator Palpatine cosplayer who died from toxic poisoning from his face make up and became a demon who likes to rip off his shtick from The Babadook, Freddy Krueger, and your every day mime. I’ve experienced scarier stories in young adult sections at public libraries, and could come up with a monster ten times more imposing, and with a name that doesn’t automatically inspire me to chortle under my breath. A movie this bad could only inspire me to gather my thoughts of bewilderment in an itemized list.

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Better Watch Out (2017) [Fantasia International Film Festival 2017]

Chris Peckover’s “Better Watch Out” is absolutely nothing like I thought it’d be. That might be a criticism by some when the movie makes its way to VOD this year, but walking in to it blind, I was stunned to find something different but still rather entertaining. “Better Watch Out” just might end up being a Christmas classic somewhere down the road, as it’s a pitch black comedy, and unusual horror thriller that derives great pleasure in its sheer sadism. I’m not usually a fan of horror movies filled with such a mean streak, but “Better Watch Out” is shockingly clever, and very slick in how it builds up its villain slowly and makes the menace in the movie more and more terrifying.

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Atomic Blonde (2017) [Fantasia International Film Festival 2017]

A beautiful but deadly MI6 agent is sent to Berlin in 1989, right at the time the wall is about to be taken down, so that she can navigate her way through the cities and the web of spies and double agents there to get her hands on a list of them with powerful information.

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