Unbreakable (2000)

In the year 2000, after M. Night Shyamalan premiered his innate storytelling ability with the surprise supernatural thriller “The Sixth Sense,” he pretty much dashed expectations with a follow-up film that no one was expecting. Initially considered a poor follow-up, M. Night Shyamalan really approached a film that could well within his storytelling parameters, and he did so with a subtlety and humility that’s finally being appreciated. “Unbreakable” is a rather underrated masterpiece, and one that really does pay homage to the comic book mythology that society generally looks down upon. By approaching the comic book mythos with a straight face and a somewhat surprising dramatic dignity, M. Night Shyamalan adds a realism to the superhero origin story that’s deliberately paced and absolutely compelling to witness.

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The Hidden Chapter (2012)

THC_Promo_9-667x337In truth I could kind of see where the short film from director Rodney Wess was headed, but “The Hidden Chapter” has enough potential to be a solid crime thriller, that I saw it to the end, either way. Though the film does have occasional sound problems, and some editing issues, Rodney Wess does compose a clever and sharp crime thriller short that goes beyond your normal tale of cat and mouse.

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The Faculty (1998)

Robert Rodgriguez’ filmography reads like a bucket list of films he’s always wanted to do. “The Faculty” is a modern teen horror film for the “Scream” fanatics, but tailored by a man who grew up on classic science fiction and horror. The film in essence is abundantly silly, but Rodriguez adds his own flourishes such as casting his favorite actors and combining story elements from “Invaders from Mars,” “The Thing,” and “Invasion of the Body Snatchers.” Most of all “The Thing.” Rodriguez includes his own version of the blood test, as well as the detached head moving on its own consciousness much to our shock. Granted, the CGI for most of these effects are nonsensical, and in today’s advances, the more upfront scenes of CGI carnage are just so blatant, but “The Faculty” has an unusual charm to it.

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Scary "The Simpsons" Episodes Not Affiliated With Halloween

So, you’ve seen all of the “Treehouse of Horror” episodes, including the newest one on FOX that was… okay, and you still want to see The Simpsons, but with episodes that are horror themed. We have ten episodes from The Simpsons that have nothing to do with Halloween but are very much steeped in horror, or mystery and will whet your appetite for the genre. Even when the Simpsons aren’t delivering their yearly “Treehouse of Horror” episode, they’re still churning out atmospheric episodes filled with elements from the genre that are often excellent and entertaining. Here are ten stands outs.
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Tales from the Darkside: The Movie (1990)

TALES-FROM-THE-DARKSIDESo “Tales from the Darkside: The Movie” is based on the television show, but in the movie, “Tales from the Darkside” is actually a book filled with various horror stories. Does that mean the television show is actually a book? Is the narrator at the opening credits the one telling us the various stories? How did the witch in the film get a hold of the book? And is the witch Debbie Harry plays in the film the same one she plays in the episode “The Moth” where she portrays a devious teenage witch outwitting her mother? It’s never quite indicated. At all. I assume the film is attempting to be meta with the wrap around story, but it never quite works. However we do get a slight instance of the theme song to the television series playing during a scene in the opening.

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May (2002)

06-May-2002May Dove Canady’s upbringing is eerily very similar to Michael Myers. While there isn’t a hint of abuse or neglect in the opening shots that chronicle life as a child in her family house hold, we get the sense that the somewhat grating goal for perfection is the key to May’s abundant madness and psychosis. When we meet May, she’s a fairly normal and meek child who has been inflicted with a lazy eye that gives her poor sight. Though it’s a small imperfection that can be adjusted over time, her mother spends a majority of the time focusing on the imperfection to notice May is a very beautiful young girl. Though she doesn’t entirely experience unusual cruelty for her small affliction, the abundant idealizing of her mother, as well as the fawning over a china doll that is clearly the manifestation of what her mother originally pictures would be May, causes her to grow in to an isolated and mal adjusted young woman.

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Tales from the Crypt Presents: Bordello of Blood (1996)

bordello-of-bloodI think with enough competent writers and good ideas, “Tales from the Crypt” could have lived on with a series of anthology horror pictures that could have told some bang up horror stories. I mean, the cinematic versions of the show are what John Carpenter originally planned for “Halloween.” Separate movies with various tales revolving around themes, and “Tales from the Crypt” almost pulled it off. They started off very well with “Demon Knight” and while they completely fumble with “Bordello of Blood,” it’s not a total disaster. There’s much to be desired, but there’s still a lot to enjoy here. It’s tough to follow up what the first film in the series accomplished as a low budget demon film with some great performances, but “Bordello of Blood” does try for individuality and humor where it fails in scares and creeps. I would not call this film scary at all, but it does supply some snarky humor and some incredible eye candy.

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