Creepshow 2 (1987)

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What with the resurgence of the anthology sub-genre in the eighties, and the release of the hit horror film “Creepshow” that managed to be a near flawless masterpiece, a sequel was not only inevitable, but a no brainer. Director Michael Gornick’s follow-up to “Creepshow” is admittedly a much more low tech and less enthusiastic outing for the series, but damn it, it sure is a lot of fun. Granted the film falls short of being excellent, but as a follow-up to the riveting and entertaining original, it’s a very strong and occasionally creepy sequel. It’s been one of my favorites since I was a kid, and though it’s shown its wear since 1987, it’s still a fun horror film. Lacking the star power and novelty of the first film, “Creepshow 2” slims down the story count and relies more on a bleak atmosphere.

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Caesar and Otto's Deadly Xmas (2012)

9003975As a follow-up to “Summer Camp Massacre,” Caesar and Otto’s latest adventure with psychopaths and horror icons isn’t quite as good. It definitely has its share of laughs and head scratching moments that have become standard with the comedy duo of Caesar and Otto, but the sad part of “Deadly X-Mas” is that it really loses steam in the final ten minutes. In either case, Caesar and Otto are able to come out looking great in the end as one of the few comedy duos with antics built on and around the horror film. They’ve confronted almost every situation imaginable, and still haven’t died.

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Valentine (2001)

valentine4Taking every bit and piece it can from “Slaughter High,” 2001’s painfully bland and tedious “Valentine” examines what happens when you fuck a nerd in the ass. At a school dance for Valentine’s Day, young Jeremy Melton experiences endless rejection from his classmates during the dance and braves the social experience anyway. After young Dorothy Wheeler sets him up to become the target of school bullies, Jeremy is never heard from again and becomes fodder for the group of girls later in their lives. I always assumed horror films were supposed to focus on likable characters. If not, there should be at least one or two likable characters you can connect with. “Valentine” works against such an effort focusing on four of the most vapid and utterly despicable young girls ever written, all of whom are stuck up rich snobs just asking to be brutally slaughtered.

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Puppet Master III: Toulon's Revenge (1991) [Blu-Ray]

“Toulon’s Revenge” is by far the best of the “Puppet Master” movies and the peak of the series. After the third installment, the series pretty much spiraled in to abysmal depths. “Toulon’s Revenge” is a smartly crafted revenge tale that takes a step back in the mythos and discovers Toulon’s life. Where parts one and two explored the evil of the puppets and madness of Toulon, “Toulon’s Revenge” is a prequel that explores a time where Toulon was a noble genius, and his puppets an innocent group of anti-heroes. With “Toulon’s Revenge,” director David Couteau manages to comprise a strong back story for Toulon, whose entire hatred toward humanity and lunacy is given a rhyme and a reason, thanks to his battle with the Nazis, and the officer that takes the life of his wise.

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Puppet Master II (1991) [Blu-Ray]

For reasons I can’t possibly understand, the subtitle “His Unholy Creations” has been taken off the title for “Puppet Master II,” and now it’s just “Puppet Master II.” Which is a shame, considering “His Unholy Creations” is a fine summary of the film’s entire premise. A direct follow-up to the first film, “His Unholy Creations” is a notch above the first film with a better story, thicker tension, and much more interesting grue. The characters of Toulon’s puppets are also given a clearer definition and motive. As well, they’re given a larger screen time, allowing them to wreak pure havoc on all kinds of hapless humans and really causing intense pain.

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Popcorn (1991)

There aren’t many movies that come along every so often like “Popcorn,” but it’s safe to say long before “Scream” stomped in to theaters to pay tribute to the classic horror tropes, movies like Mark Herrier’s “Popcorn” came and showed audiences how to do it first and better. Which is not to say “Popcorn” is as landmark as “Scream” was. In fact it’s about as unremarkable as any old shelf filler from the eighties. But for a film that came along during the death of the slasher genre in the early nineties, it’s a safe bet that “Popcorn” will whet the appetites of anyone looking for an eighties romp in the cinema with some classic devices of the slasher and mystery genre.

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Puppet Master X: Axis Rising (2012)

For once, a new “Puppet Master” movie has a plot all on its own and offers little to no clips from the previous films as filler. I was certain there’d be a segue in to a clip show, but thankfully “Axis Rising” presents something of a plot and events. As well as mythos evolution. Taking place directly after “Axis of Evil,” the villainous Ozu is caught by the Nazis and killed once her puppets are discovered in her bag. Poor Tunneler is caught by the Nazis after he murders one of the officers, and hoping to figure out Toulon’s formula, they bring him to master scientist Freuhoffer, who hopes to use the formula for his own benefit. Evil Nazi officer Moebius plans to turn rebels in to his own army of puppet soldiers, but is finding little success with gory results. With Tunneler dissected and the scientist learning the secrets, the Nazi’s just may be able to form their own army of deadly puppets.

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