“Godsend” starts off well enough. It begins with a concept so controversial that used to be the fodder for science fiction but now has become a startling reality: cloning. It’s an issue that has become the topic of heated debate for the modern age and this film has the ability and chance to comment on such a topic. “Godsend” starts off just right, but it quickly becomes a really awful film with such a ridiculous concept, it’s doesn’t even achieve the status of being laughably bad. It’s god-awful, as the joke goes. Every character is so dumb, and every aspect so derivative, that it’s just a mess from beginning to end.
Tag Archives: Mystery
White Noise (2005)
What a disappointment this was. This had its occasional highs and lows, and when it went low, it went down low to the ground with such an atmosphere of a TV movie when it shouldn’t have been. It constantly shuffles back and forth between sleek horror to watered down thriller again and again and I just lost patience with it, especially with its slow pacing which was just so frustrating. Nothing really goes on for quite a while pretty often and this never manages to keep our attention to what is happening and gets very boring in certain scenes. With such an original concept, its sad to see that very little originality is present.
Secret Window (2004)
The surprise twist in the end concerning our character Mort isn’t really surprising when you come to think of it in the end. It’s unexpected, that’s for sure, but it’s also very expected, an expected twist to a story that isn’t even that interesting. You’ll most likely assume to your partner what the ending is at the first thirty minutes of the movie, and then in the end you’ll be right. What a shame. You’ll more than likely find this derivative as I did with the laughable ending which was such a horrible mimic of “The Shining.” The story which was basically a take off from “The Dark Half,” and one question came to mind when the climax of “Secret Window” finally approached. Is Stephen King just repeating himself? I was honestly stunned and a bit amused when the ending finally came, because it was so derivative of past King stories.
Toolbox Murders (2004)
I’ll admit “The Toolbox Murders” will never win any awards in the horror field, but as a piece of pure mindless horror with gore galore, I dug it a lot simply for its schlock value, and so-stupid-it’s-good fun. When Nell and Steven move to Hollywood after Steven, a doctor gets a job at the local hospital, their apartment building is less than luxurious, and Nell has an instant uneasy feeling about the vibe of the building and has no idea there are murders going on all around her. She can hear and feel its bad atmosphere despite the landlord’s boasting that it’s just a Hollywood landmark, but once she begins suspecting her friends being murdered around her she delves into the shocking underbelly of the landmark and discovers its grizzly secret.
Abandon (2002)
This is a movie that is so murky, so dark and so dreadful on the eyes that it’s remarkable if the viewer sits all the way through up until the last moments. There are a whole lot of nonsense here you have to sit through until you get to it, and by then you’re not surprised because you’ve either been so bored you gave up on caring, or you fell asleep. “Abandon”, despite its marketing, is a drama, not horror, not thriller, no sir. The worst thing is this tries desperately hard to pass itself off as horror or at least a decent supernatural thriller. Only by the second half does it tend to actually become a supernatural thriller.
Oldboy (2003)
This is a revenge flick. But it isn’t your typical revenge flick. If you think you’ll know how the plot will turn out and how the characters will eventually fare, you’re basically wrong in every aspect as I was. “Oldboy” is and should be the demonstration of how to take such a tired genre and twist it and turn it until you have this freaky amalgam of this insane film. Garnering rave reviews at film festivals and attention from master Quentin Tarantino, “Oldboy” is that type of movie where you’ll ask yourself, “Are you sure this isn’t Tarantino?” because this has the look and feel of films like “Kill Bill” and “Pulp Fiction” but it’s a lot more twisted. If that’s possible.
Three Days of the Condor (1975)
Surely, this is one of those obscure classics that people should know more about, and should really talk more about, but alas, it isn’t, and that’s a damn shame. My favorite heroes be it literary, cinematic, or otherwise, were the brainy heroes, and the reluctant heroes, two of which are represented here in this Redford classic about espionage, action, adventure, and government paranoia.