This is a revenge flick. But it isn’t your typical revenge flick. If you think you’ll know how the plot will turn out and how the characters will eventually fare, you’re basically wrong in every aspect as I was. “Oldboy” is and should be the demonstration of how to take such a tired genre and twist it and turn it until you have this freaky amalgam of this insane film. Garnering rave reviews at film festivals and attention from master Quentin Tarantino, “Oldboy” is that type of movie where you’ll ask yourself, “Are you sure this isn’t Tarantino?” because this has the look and feel of films like “Kill Bill” and “Pulp Fiction” but it’s a lot more twisted. If that’s possible.
Tag Archives: Mystery
Three Days of the Condor (1975)
Surely, this is one of those obscure classics that people should know more about, and should really talk more about, but alas, it isn’t, and that’s a damn shame. My favorite heroes be it literary, cinematic, or otherwise, were the brainy heroes, and the reluctant heroes, two of which are represented here in this Redford classic about espionage, action, adventure, and government paranoia.
I, Robot (2004)
“I, Robot” is very, very loosely based on Asimov’s concept and stories, and, as much as I wanted to, I didn’t hate it. As a matter of fact, I had a real blast. The first point this had up for it was the fact it was directed Alex Proyas, Proyas is the director of two of my favorite films of the past fifteen years, the first one being the imaginative and beautifully morbid film “Dark City”, and one of my favorite films of all time “The Crow” a marvelous ode to the legacy of Brandon Lee, one of my film icons. Proyas is one great underrated director and he puts his skills to work in this wild and fun but still thought-provoking film. Will Smith plays Dell Spooner, an officer for the now futuristic Chicago who despises robots. The problem with his hatred for them is that they’re everywhere now under servitude as tools for humans like a utensil.
Saw (2004)
The Grudge (2004)
The remake of “Ju-On” now called (sigh) “The Grudge” is the perfect example of faulty westernization in which the translated work suffers in the translation and completely misses the point of the original. The original had the surprise ending which makes you re-assert your thoughts on the characters, while the remake has the “You thought the monster was dead, but its not!” ending that I yawned at.
Gothika (2003)
“Gothika” is never sure if it wants to be a supernatural thriller, a psychological thriller or a murder mystery, and that’s pretty difficult to discern through the clichés and obvious plot devices given to the audience non-stop. Every bit of scenery is murky, dim, dull, bland, and dreary to create the effect of suspense, and while scenery matters with setting a mood in horror films, it’s also up to the director to set it, and here it seems the director relies only on scenery, scenery that is so predictable and hard to swallow. There’s the dark and stormy night (check), the cheap shocks that will presumably keep the audience more annoyed than actually scared (check), the very loud score intent on keep the audience in suspense when nothing follows (check!), especially in one really stupid moment where Berry’s character etches her way down a dark basement, and as she opens the door, the score goes slowly up higher! And higher! And higher! Until–! Nothing.
Shattered Glass (2003)
“Shattered Glass” is the fact based drama about the newspaper “The New Republic”, a small time barely known news magazine for Washington that offered news articles about world events and finance. The magazine, while struggling, did have a flourishing and passionate staff of reporters and journalists, one of them being Stephen Glass, a young likable reporter who always has a new story, during meetings, he pitches to the editors which always goes to print. “Shattered Glass” is based on the real events that occurred in 1995 – 98 in which reporter Stephen Glass was discovered to have been fabricating articles over a long period of his career.