Affliction (2011)

Director Amir Masud’s short supernatural thriller entitled “Affliction” gave me a lot of flashbacks to films like “Donnie Darko” and “Carrie” for the fact that we can never be sure what our main character Sara’s destiny is. Is she meant to be a messiah or a prophet? Is she the beginning of a new wave of holy warriors, or merely a fluke or pure evil masquerading as good? Nevertheless, “Affliction” manages to be a powerful and disturbing journey in to a mind of a mentally unbalanced girl whose own religious beliefs has managed to unlock something in her that she never knew she had.

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The Tree of Life (2011)

kKPYRJ3Back in 2011, there were rumblings of audience members in attendance of “The Tree of Life” screenings who were asking for their money back. Primarily because they didn’t understand the film. Sitting here I can safely say that this movie isn’t for everyone. It’s a thinking man’s picture, an existentialists dream, a study in to the nature of our universe and what we view as world’s colliding and collapsing in on themselves. I couldn’t understand what was so difficult to comprehend with “The Tree of Life.” It’s a film about the crisis of faith, pure and simple.

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Red State (2011)

If Red State had been the efforts of amateur filmmakers, I’d have chalked it up to being one hell of an try in the horror genre. But knowing Kevin Smith inside and out, I’m inclined to say that Smith seems almost disingenuous in his efforts to create an independent film that may or may not be independent when all is said and done. Smith knows his way around the camera and while I can’t fucking stand a single film from the man, “Red State” is a film that disappointed because the man does nothing with the genre that we haven’t already seen. And he’s working in my genre, the horror genre, so I expected big things from this considerable clunker. Rabid Christian fundamentalists, torture porn, commentary on religion, it’s all on the menu from a god fearing man like Kevin Smith who can never be sure if he’s putting religion to task for corrupting us, or merely just showing that religion has a bad side like it has a good side. “Dogma” was in fact an unbridled celebration of the mythos behind his religion, now “Red State” takes it to task and can never be quite certain what kind of message it’s trying to convey.

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Anneliese: The Exorcist Tapes (2011)

In 2006 when The Asylum’s “Halloween Night” was released, the studio claimed the film about a mental patient that crashes a Halloween party and begins slaughtering the guests, was based on true events because at the time there were reports of a mental patient on the loose and for a moment they were sure the patient snuck in to the party only to be assured he wasn’t. That’s their reasoning for calling something a true event, so I expect the same amount of circular logic and convoluted reasoning from Asylum’s spin doctors for proclaiming “Anneliese: The Exorcist Tapes” completely and one hundred percent true in footage when it becomes painfully apparent from the opening that not only is the film one hundred percent staged, but about as poorly acted as any other Asylum farce to boot.

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It's Not All Fucked: A "28 Days Later" Tribute

Frank lives by hope even if his daughter Hannah has no hope thanks to the death of her mother, and his is infectious as he spreads this radio frequency offering salvation to survivors to his new friends begging them to believe in this new world, and they have no choice but to seek it out or remain in this city where hope has all but deteriorated in a sea of dead bodies, and massive skyscrapers that now look like tombstones for the dead. Frank’s entrance in to the fold is true heroism and one that is based around his hope for life in a world void of it and hoping to gain their trust allowing for caretakers in the event of his demise. For a man whose seen nothing but chaos, he is shockingly high spirited and provides his new guests with smiles, pats on the backs and giggles because it’s about all he can do to keep up the morale of his daughter who has seen the world die before her eyes. He even keeps their gold fish alive in the wake of their clear lack of any water, in spite of his best efforts to grab some on the knowledge of a television show he’d seen one night. Jim and Selena can’t help but be charmed by his determination and unflinching grasp for some new world out there beyond their reaches, and they go for it with an old taxi Frank claimed in the midst of the carnage.

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It's Not All Fucked: A "28 Days Later" Tribute

Danny Boyle’s “28 Days Later” came along at a very tough time in my life. Like most movies that are around during difficult periods in your life, they tend to have a very important impact and influence on your mood and overall outlook on your fate. Around the time “28 Days Later” was released, I was about to go in to open heart surgery. And while my survival rate was very high we were all considerably on edge. I remember that year my dad took us to see “Terminator 3” in theaters to cheer us up, and on the way home we bought the bootleg VHS for “28 Days Later” which didn’t work. Days later I was able to obtain another copy with crisp quality and indulged in one final incredible horror movie before I went under the knife and endured an excruciating week in recovery that involved sleepless nights, aches, and a hospital ward waiting to see if I’d slip in to an infection or heart failure at any minute.

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Monty Python's Life of Brian (1979)

life-of-brian_1374284cMonty Python takes no prisoners with what is a movie based around the stupidity, hypocrisy and inherent fallacies of religion, and the entire idea of martyrdom, in which a man named Brian seeking only to gain some sense of importance is suddenly a messiah and god, and only by accident. He has the origins of a normal Biblical figure, but after encountering Romans, mindless followers, moronic praisers, violent apostles, and the like, Brian mid-way discovers that he really never wanted to be anywhere near as important as the boy born in the manger next to him named Jesus.

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