Director Richard Linklater explores the rarely touched upon trope of the romance. What happens after “They lived happily ever after”? When the dust has settled and Jessie and Celine have built a life together, what happens when reality interferes in the romantic fantasy. Surely for two films, Jessie and Celine had a wonderful whirlwind romance, then an amazing reunion, but will Jessie’s love for his child and his obligations ultimately destroy the true love he yearned for years?
If I could have one wish, it’d be to interview Richard Linklater.
It’s a bit selfish to test my luck in that regard, only because you’re only granted so many wishes in life before the well runs dry, but I mean it, if I could, I’d pick that man’s brain for at least an hour.
Well, I guess every director has to have one film that’s commercial to grant them enough dough to get them through the rough times. Even one of my favorite directors of all time, Richard Linklater. It’s not that Linklater can’t do a commercial film, because “School of Rock” was great, but this is a remake. And Linklater is better than this. He’s ten times better. And he can make all the excuses he wants, but I’m still shocked the same man who created “Waking Life” was behind the camera of this remake. As usual, Linklater doesn’t do what others do. In other words, he never makes a film as everyone assumes he is. Sure, this is a remake, but this is a kick in the balls remake, just like the original was a kick in the balls kid’s film. There’s profanity, crude humor, sexual innuendos, and Billy Bob Joe Bob Thorton channels “Bad Santa” for his variation of Buttermaker. And I was pleased.
Aside from the utterly fascinating concept, Linklater re-visits the same wonderful animation he enlisted in the fantastic “Waking Life,” with this visceral piece of druggie science fiction that instead focuses on the mechanics of the mind rather than in machines and science. As usual, Linklater prefers to delve into the human psyche and he gives it his best effort with some brutally beautiful animation. I dare you to look away from the Scramble suit. I dare you. Beyond that, the stand out performance is by Robert Downey Jr. as a druggie scientist who is both brilliant and mad, which is not hard to believe for a man who has no screws.
It’s like they never left us. It really is. It’s as rare as a meteor to watch an engrossing romance that’s also very intellectually stimulating, but wouldn’t you know it, with Richard Linklater once again taking reigns of his film, you get what you expect, and I ultimately got what I expected, a fascinating, charming, and beautifully written romance drama starring two people who just have incomparable chemistry. All my fears were put to rest thirty minutes within the film as that magnetic chemistry between Delpy and Hawke becomes all the more volatile on-screen two fold. They have it here, and it works so well, I was just breath taken. This is a movie that could have easily been mishandled, and botched, but it ultimately works so well as a standalone and as a sequel. Only Linklater could commit such a feat.
In this loving ode to rock and music, the always funny Jack Black stars as slacker and freeloader Dewey Finn, a passionate rock buff who is kicked out of his band after antics and attempts to hog the spotlight. Pressured by his roommate to make some money for his share of the rent, he’s threatened to get a job or be kicked out. He then poses as a substitute teacher to make the money and stumbles onto an elementary class of shy students with zero confidence and after witnessing their musical talents decides to form a band for the battle of the bands.
Two people from different parts of the world meet on a train and decide to tour Vienna for one night and witness everything the city has to offer while they bond with one another and fall in love, but as the night ends and the two become closer, will they separate come morning, or will they stay together? I’m officially considering myself a fan of Richard Linklater; this director/writer creates some of the most thought provoking films ever made, it’s hard to believe his films aren’t being released into the mainstream.