Midnight in Paris (2011)

midnight_in_paris01To say that I knew what I was getting in to with “Midnight in Paris” is indeed would be a gross error. I had no idea what “Midnight in Paris” would bring me. So for the sake of not ruining what is ultimately a surprise filled comedy drama, I beg you to heed my warning about spoilers as “Midnight in Paris” is such a film that will demand audiences to suspend their belief, but in the meanwhile is typical Woody Allen whimsy. The man has the ability to channel surrealism and fantasy with films like “Zelig” and “Sleeper,” and thankfully “Midnight in Paris” is a return to form. Once again, Allen has lost a lot of his touch with his past films as he no longer spotlights the regular individual, but the glamorous one, but he surmounts such a caveat by delivering a premise in the tradition of the classic Allen pictures. The demented and lively, the ridiculous but existential.

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Submarine (2011)

submarine-poster“Submarine” isn’t just the anti-teen romance, it’s actually a film that doesn’t glamorize the romance even though it’s essentially about falling in love and losing love. Almost like a lost Wes Anderson film, director Richard Ayoade’s dramedy is a bold cinematic venture that dares to defy any preconceived freshman notions about his film making and fully grasps on to pretension (featuring title cards and monotonous narration et al). This is basically because our main protagonist Oliver is anything but a humble heroic young man. In actuality, he’s very much filled with enormous pretension, and enough self-loathing to garner expectations from the girls of his dreams that are rock bottom.

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Superman: Requiem (2011)

Speaking as a hardcore Superman geek, I’m especially happy to see more indie filmmakers come out of the wood work to put on display their storytelling chops for Superman. What with the newest Superman film arriving in theaters in 2013, it’s especially pleasing to see more of the Man of Steel in the fan film circuit. I mean why the hell should Batman get all of the good fan films, anyway? “Requiem” is an admittedly ambitious and intimidating undertaking. Much like “Superman Returns,” it owes much of its mood and tone to the classic Christopher Reeve pictures, and director Gene Fallaize pretty much acquires the same atmosphere and implements the classic score the original Reeve films once had.

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Specimen (1996)

“Specimen” is one of those late nineties relics that has to be seen to be believed or else you’ll be sure it never existed. A TV movie and straight to video film, “Specimen” is by and large one of the many blemishes on its stars filmographies that acts as merely a vehicle and some work during their down time and serves as nothing more than filler. A rip off of “The Terminator 2,” “Firestarter,” and “Fire in the Sky,” Douglas Bradshaw’s film is one I discovered in the 1999 and have yet to get over. It’s a cheesy knock off and one that prides itself in being a shameless carbon copy, but I love it just the same at the end of the day.

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Captain America: The First Avenger (2011)

BXgGpdfFourth time’s a charm for Marvel who have finally stopped trying to retrofit their banner first tier character Captain America and just outright accepted that for better or for worse their most iconic superhero is meant for his time period, a time during world war II where Cap Am could mostly come to use to bring down the Nazis and the evil Hydra. Who better to bring this retro character to the big screen than Joe Johnston, a man who successfully brought us “The Rocketeer” in the early nineties? Much of that same child-like enthusiasm and movie serial aura is carried over in to this new version of Captain America where Marvel finally gets it right.

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I Am Number Four (2011)

NumberFourFlawed and by no means a masterpiece, I sense “I Am Number Four” is a film that will become one of my favorites that I’ll be defending for years to come. I won’t sit here and claim this is a flawless piece of science fiction action cinema, but for what it promises in the beginning, it works wonders in delivering what’s essentially a teen oriented action film. “I Am Number Four” touches on my weak points in fiction concerning teens realizing their destinies and aliens from another world battling it out on mid-west suburbia confronting each other in a war that neither of us can fathom.

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S: A Superman Fan Film (2011)

Director Johnny K. Wu thankfully doesn’t try to re-invent the wheel when it comes to “S: A Superman Fan Film.” Essentially it’s an homage to the classic tropes of the Superman mythos that tells its story under thirty minutes and uses its array of dazzling green screen effects and top notch costumes to get the job done in conveying a simplistic and rather meat and potatoes Superman tale. While at times a bit campier than I would have liked, “S: A Superman Fan Film” is a loyal and rather entertaining Superman fan film that pits the man of steel against his two greatest nemeses.

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