All it took were the words of a child. All it took were the words and accusations of one child, and it set in motion events of one of the most unusual romances I’ve ever come across. “Atonement” is set around the hook of a man accused of a crime, which gives him surprising clarity on his life. Robbie is a servant for a local wealthy family in the countryside on the cusp of World War 2 where Hitler is beginning his reign of terror. But, “Atonement” is less about the lieu of the war, and more about what leads to Robbie’s inevitable interaction with the big war that he didn’t intend on. It begins on a light note, as Joe Wright, known for the moderately entertaining “Pride & Prejudice” adaptation, starts the film off as an odd series of coincidences and happenstances that take a toll on the characters all around them.
The Irish musical “Once” by John Carney is very much of a gentle and quaint little elegy of life and love much like the subtle whisper that was “Me You and Everyone We Know.” Going in and out of theaters with barely a notice, it’s a shocker something so powerful as “Once” could go almost completely unnoticed. It’s just a painful crime that something as beautiful and utterly riveting as Carney’s “Once” could just completely be dismissed as another indie drama when really it’s a truly powerful musical.