Maniac (2012)

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As a man who had absolutely no faith in the remake of William Lustig’s grindhouse classic, it’s quite telling that the opening of the film inspired a gasp out of me, followed by a “Holy crap.” Director Franck Khalfoun also wisely sidesteps the grit of New York (New York now no longer the wasteland is was in the eighties) entirely in favor of the more menacing and vast Los Angeles, all the while injecting an artistic gloss that makes the madness seem more surreal. “Maniac” is a gruesome and disturbing re-working of the classic horror film, that pays respect to the original, while also challenging its gore and violence, in the process. Elijah Wood’s performance is surprisingly unsettling and occasionally horrifying, since his character Frank Zito is a victim of his own madness.

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Barefoot in the Park (1967)

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The big screen adaptation of Neil Simon’s play is not only one of the best romance comedies I’ve ever seen, but is also one of the very few romance comedies to make me laugh hysterically. The pairing of Jane Fonda with Robert Redford is a master stroke, and the pair as lovelorn newlyweds reveal a hidden often underrated comedic timing that makes the movie as much of a slapstick comedy as it is a sweet tale of reality dawning on two just married lovers that find life rearing its head toward them slowly.

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Say Anything… (1989)

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Truly, “Say Anything” is one of the most iconic romance movies of all time. It’s a last gasp of the eighties and in many ways a very touching tale of two people finding one another. But one of the best things about it is the final scene. Much in the way “The Graduate” ended, “Say Anything” puts our characters through the ringer, and then throws everything up in the air leaving it there for the audience to figure out what will happen next. Like Benjamin and Elaine in “The Graduate,” our young couple sits on a plane awaiting their fate and look at one another pondering on what the future holds.

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90’s Night In – 8-Movie Set (DVD)

For folks looking to re-live the nineties, Mill Creek Entertainment has made eight of the more notable and not so notable films from that decade available for folks craving overalls and ripped jeans. And there was that odd period where everyone was obsessed with swing dancing. What the hell was that about? Nonetheless, at over twelve hours long, Mill Creek offers eight dramedies of varying quality, and many of which are definite time capsules of the decade.

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The Lego Movie (2014)

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Upon watching the trailer for “The Lego Movie,” I bashed it as resembling nothing but a glorified “Robot Chicken” segment. I’m happy to say that “The Lego Movie” not only proves me wrong, but manages to be the antithesis of everything it had potential to be. It’s novel, it’s entertaining, it’s funny, it’s witty, and though it revolves around one brand of toy, it never actually feels like one giant commercial. Instead it celebrates why Lego has been so relevant in pop culture. To make things even more interesting is that it influences audiences to be special by aspiring for individuality and true accomplishments.

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Return to Nuke ‘Em High Volume 1 (2013)

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Any movie that begins with inexplicable opening narration from Stan Lee is an automatic win in my book. From the opening exposition from Stan “The Man,” to clips from the previous “Nuke ‘Em High” series, “Return Vol. 1” is really a return to form for people that appreciated the punk rock trash “Class of Nuke Em High” series that had no limits in bad taste and grue. It’s an entirely new generation with an entirely new subtext, and Lloyd Kaufman embraces those themes head on and without fear of controversy.

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Gingerdead Man 3: Saturday Night Cleaver (2011)

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Well, if the writers don’t give a shit anymore, why should we? “Gingerdead Man” has seemingly given up trying after the first film, so I’ve given up trying to make sense of anything that’s happening in this movie series. When last we saw Gingerdead Man he was trolling a movie studio killing actors and directors for some reason. Now he’s being held in a prison with other psychotic baked goods. Spoofing “Silence of the Lambs,” he meets with female detective who wants his help in a case. It’s an obvious satire sans the laughs, but we now know there are other psychotic baked goods out there.

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