Flash Gordon: The Complete Series (DVD)

Man, what the hell happened?

It seemed like such a good idea at the time. The Syfy Channel or The Sci Fi Channel has had a good track record for television series that excelled in epic space adventures with hit shows like “Stargate” and “Farscape.” Plus, they engineered one of the most critically acclaimed award winning reboots of all time, “BSG: Battlestar Galactica” which ended up being an important touchstone for science fiction in the twenty first century.

So what in the heck happened with “Flash Gordon”? Syfy and their executives not only seem to miss the point with these characters of the pulp era, but completely seek out to alter their personas rather than re-invent them.

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D.N.A (1997)

It’s pretty funny that “DNA” manages to be a total rip off of “Predator.” Because once you get a full glimpse at the alien monster in this 1997 Mark Dacascos vehicle, you realize that the alien in the film looks exactly like the early concepts for the monster in “Predator.” Anyone who knows movies, knows that the early designs for the monster in “Predator” featured a long necked more primal beast with a beak like mouth later changed in to a dreadlocked crab like hunter. The beast in “DNA” looks similar to the aforementioned monster from early drafts of “Predator,” except this time he’s tangling with Mark Dacascos and his boss long hair. “DNA” is not the worst “Predator” wannabe I’ve ever seen, it’s just incredibly silly. Especially when the first half is pretty much a riff on “African Queen” that then turns in to “Predator” once we learn of the evil plans bad guy Jurgen Prochnow has in store.

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Battledogs (2013)

“Battledogs,”is a film that demonstrates the fine art of retooling a movie and having a good time doing it. In this instance, Writer Phillip Van Dyke retreads 2008’s “The Incredible Hulk” but tailors it more for werewolves. Every plot device and moment in the film is shamelessly derived from the 2008 action film. Hell, there’s even a moment where one of the infected humans is kicked out of a helicopter in mid-air and sent crashing in to the Earth as it transforms in to the rabid werewolf.

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The Stand (1994)

DBionwNMick Garris’ 1994 cinematic adaptation of Stephen King’s The Stand is one half a great epic post apocalyptic tale of human endurance, and one half a preachy and overwrought religious tale about God, the Devil, and a lot of hokey sermonizing that falls flat. Which is not to say it bogs down the film, but as King is noted for, “The Stand” eventually devolves in to religious hokum that completely eliminates the appeal of the original story.

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The Road (2009)

I respect Cormac McCarthy for exploring the less stylish side of the apocalypse. While many modern fictional outlets have given a real sense of sensationalism to the end of the world, “The Road” is an often uncompromising, cruel, and disturbing look at the end of civilization. It’s a world full of cowards, a world where humans prey on one another out of desperation for food, and it’s a world where there’s literally no hope. The world is dying all around a man and his son, and the pair can do nothing but hold tighter together and spend every waking hour looking for food. Viggo Mortensen who plays the man known by his son as simply papa is a haggard shell with dirty nails, stained teeth, and a gradually fading health, while his son spends most of the story taking on the weight of the world.  And yet, even when confronted with the worst of human cruelty, he can not find the worst in humanity. He wants to believe there’s still some good in the world.

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Phantoms (1998)

What if the blob was a sentient being with a massive ego? That’s basically the summation of “Phantoms,” a film that alternates from tedious, to goofy, to downright silly quite often. The tonal shifting often affects “Phantoms” turning it from a mediocre horror film to just a downright idiotic horror film with no semblance of common sense. Why does every single monster or being with a consciousness suddenly turn in to a comedian when they have the upper hand? Freddy Krueger turned from a specter in to a clown, Pinhead began spewing puns suddenly, and during the finale of “Phantoms,” the being begins spouting one-liners like it’s going out of style. In the midst of possessing Liev Schreiber’s character, the monster screeches with a half body “How low can you go?!” as it chases our heroines through a house slithering along the ground.

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Tank Girl (1995)

tank_girl_picYeah, this is why studios didn’t take comic book movie seriously for a very long time. “Tank Girl” is god awful. I’m aware her comic is very popular, and Tank Girl the character is considered something of a feminist icon of a sorts, but “Tank Girl” is swill. It’s bottom feeding swill. It tries to exude this sense of hipness and edge, but instead feels like it doesn’t take the material seriously. Lori Petty (who has the charm of a spastic Ritalin addict) attempts to play the sexually ambiguous Tank Girl as tongue in cheek but she just comes off as a clown who has no grasp on the material.

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