Hey nineties brats, do you remember the running man? You know what I’m talking about, that dance that’s a mixture of running in place and the moonwalk sans the motion? Well, that’s what I was doing when I received this from Warner. The running man. I thought I’d forgotten how to, but apparently not. “Spaced” finally comes to DVD in the US bringing with it a slew of extras, and some of the funniest comedy in a sitcom that took many years to get to the states.
After the unfair lambasting of the disgustingly underrated and under appreciated “Hulk” from director Ang Lee, I found myself brutally conflicted on Louis Leterrier’s reboot (Remake? Revision? Restart?), because frankly, it was an apology to fans on a movie that didn’t need one. Lee tried something new, and was punished for it. Sure, Leterrier goes for the obvious, he goes for the simplistic, he shoots for the predictable, but that doesn’t mean “The Incredible Hulk” isn’t an entertaining movie. While I will be faithful to Ang Lee’s vision of the Hulk, Leterrier puts up a good argument for his version, too.
Fortunate for me that I was born from parents who bought literally every VHS movie they could get their hands on in the heyday of the eighties. Fortunate for me that I was born from a woman who loves every horror movie ever made, and continues to love every horror movie ever made. Which is where my meeting with “The Dark” enters. Available on DVD and still pretty rare, “The Dark” is one of the most confusing hybrids of blaxploitation, science fiction, and horror I’ve ever seen with ambiguous plot devices, horrific performances, and the odd association with Dick Clark. Watching this on the same grainy discount VHS from Media Home Entertainment I first viewed it on fourteen years ago, “The Dark” has lost plenty of the oompf and suspense I remember it holding.
Blake Van de graaf’s superhero opus is a cult film sadly without a cult, and that’s a pure crime of cosmic proportions. While his movie is very critically acclaimed, Van de graaf’s entry just doesn’t get enough love. Or more so, the love I think it warrants. Perhaps it’s just that audiences are burned out on superhero epics, but “Sidekick” really isn’t one of them. Most people will be quick to judge this movie on the cover, a one sheet that makes this look like a superhero comedy about a geek dressing in costumes to fight crime.
They blew it up! Damn you! Damn you all to hell! Ah, Nuclear warheads, will we never learn? Shortly after “The Andromeda Strain” arrived to the A&E Networks last month, here we have the Special Edition DVD which is a shockingly great treatment for a television mini-series that just arrived. I know it’s not the first time a mini series gets a huge treatment, but you should see this. The casing is magnificent with a fold out front that allows you to read some of the content about it, and then there’s the DVD set which are two discs. I still don’t know why they split up the movie with two DVD’s bearing parts one and two, instead of just presenting the entire production as movie, I mean, that would make much more sense.
If anyone knows me properly, then they know that I absolutely love post-apocalyptic fiction and it’s a wonder why I’ve never read Michael Crichton’s novel before. I guess I just never crossed paths with it. Although a bit gaudy at times, this new television mini series is packed with heavyweights both behind the camera and in front of them, and not a single person goes without serving some sort of memorable moment in the spotlight. Everyone is here, even Andre Braugher, the character actor who hardly ever appears in an ensemble without biting it before everyone. “The Andromeda Strain” is a bit familiar, but then Crichton only serves to explore our fear of space travel and the potential repercussions of discovering something alien. And unstoppable. What if we discovered alien bacteria that ravaged Earth? Would we even be able to stop it?
Doug Liman’s “Jumper” is the type of action fare that you come to see for the dazzling effects and interesting battles, and then… nothing more, after that. The common complaint is that the film doesn’t fully touch on the concept of jumping, and while that’s true, it does indeed explore how this power would be every man’s fantasy. To be able to jump everywhere, to be able to be anywhere you want without restrictions, and to be able to do whatever you want is something “Jumper” pulls off in emphasizing. And the character of David personifies this idea by often working on motives that are never clear. A firm anti-hero, David is that very wealthy young man that everyone worships and wants to be, and he’s turned into someone working for a cause by accident once he gets the psychotic Paladins on his tail.